God With Us
by
Laura Laura Story has become a champion in the female vocalist community within the last several years. From her powerful songwriting for other artists (such as on
Defining the last twelve months as a “whirlwind year” for the Newsboys would seem like a cliché. Yet after the critical and commercial acclaim of their 2010 hit record, Born Again, a handful of successful headlining tours, three No. 1 radio singles and a Summer full of non-stop festival dates, how ELSE would you describe it?
Sure, “unheard of” might work nicely, but the men of the Newsboys have never been one to go by the book. This was made clear when band members Jeff Frankenstein, Jody Davis, and Duncan Phillips welcomed famed dc Talk member Michael Tait as their new lead singer back in 2009. The change not only exceeded fans’ high expectations, but breathed new life into one of Christian music's longest running and most beloved bands.
After all this, you'd think the last thing on their minds would be jumping into making another record... you'd think wrong.
As a matter of fact, God's Not Dead, the groups latest project, has been in the works for quite some time. It’s their first worship album since the back-to-back releases of the influential Adoration and Devotion back in 2003/2004.
The title resonates from centuries of philosophers who’ve tried to discredit the belief of an everlasting deity. Fredrick Nietzsche, a well known scholar from the 1800s was once quoted as saying that if there was a God, he was dead, and the entire practice of Christianity itself would soon die along with Him. I think we’d all agree when saying “he was wrong” is an immense understatement. With God still alive and well, the message of this album is to make a living God known to a dying world.
“God’s not dead,” says Michael Tait. “Let’s worship Him.”
Once again working with producer and singer/songwriter Seth Mosley for this project, the group has come together to create what is their finest worship record to date, and quite possibly, one of the best Newsboys albums ever.
God's Not Dead begins with one of multiple all-new original songs, “The King Is Coming”--an anthem about the return of Christ and our responsibility to ready the world for His coming. It’s a great song, and one I can see being adopted by the church the same way their previous hit, “He Reigns” was back in 2003.
The theme of the album is introduced next with a fantastic cover of Daniel Bashta's “God’s Not Dead (Like A Lion),” featuring a brilliant vocal cameo by musician and fellow dc Talk alumnus, Kevin Max. His vocals take a song that would have stood just fine on it's own and send it soaring to new heights.
An upbeat retelling of Jesus Culture's modern classic “Your Love Never Fails” takes the message of God's unfailing love for His people and sets it against the backdrop of an 80s-inspired pop melody. Unconventional to say the least, but there is an unarguable likability about it, and will surely go down as a fan favorite. “Here We Stand” evokes a Hillsong United sound while offering an honest prayer God, asking Him to move in us as we honor Him with our lives.
A powerful rendition of “Savior Of The World” is sure to leave you on your knees, while Hillsong‘s “Forever Reign,” laced with synth strings, packs a Spirit-led moment of praise to the Creator. “More Than Enough” takes this album to a new level lyrically, talking about Jesus’ birth, life, death and resurrection, and how thought it all, He always has been and always will be all we’ll ever need.
A gritty and sweeping version of “Revelation Song,” made popular by Gateway Worship and Philips, Craig and Dean, packs a punch and is undoubtedly going to leave the listener fully engulfed in the presence of God. The polished “Pouring It Out” speaks of God‘s worthiness to be praised as He passionately pursues His creation, and leads nicely into the boys' rendition of “Mighty To Save,” also featured on their Born Again record. “All The Way” serves as firm declaration to the Lord that we will never stray off of His path, going with Him all the way till the very end.
The album finally comes to a close with the standout track “I Am Second,” which could very well be one of Newsboys best songs of their over two-decades-long career. Epic string arrangements plus another powerhouse vocal appearance from Kevin Max take this song and put it over the top. While it’s a masterpiece from a musical standpoint, the surrendered lyrics are what steal the show, making this a wholly abandoned way to end an outstanding record: “I am second to one, the Savior, no compromise, laying everything at the foot of the cross, my pride, my life, my all, I am second to one, and He’s second to none.”
Closing Thoughts:
Worship records aren’t an easy accomplishment for well-known Christian artists. More often, they’re looked down upon because they stylistically stray away from the artist’s typical style and sound. In this case however, not only have Newsboys succeeded in making a worship album that packs a punch, but on an artistic level, is some their best work to date. Ranging from pop to rock, ballads to full on dance tunes, this album serves as a passionate, creative, fun and personal record on many levels--both melodically and lyrically. There will be many times while listening that you find yourselves wrapped up into the presence of God and truly enjoying the moment more than the music. That in and of itself in a task worth commending.
Unique and inspiring, Newsboys God’s Not Dead is hands-down one of best worship albums of the year, and is overall one of Christian music’s top 10 albums of 2011. Longtime fans of the band will not be disappointed, and those who are still discovering the group after all these years will be blown away by their relevant sound and meaningful worship. The transformation Newsboys has undergone in the last several years is evident, and it shows in the continued evolution of their music. It’s a delight to watch as they continue to grow, and if this is just a small taste of what we can expect from their next studio album, we’re in for a treat.
There is no doubt about it, if you’re going to walk away with one message from this album, it’s this: God is alive… and He is absolutely worthy to be praised.
Rachael Lampa | Posted September-26-2011
The early millennium was a thriving time for female pop artists in the secular music arena, with names like Britney and Christina to thank for that. Needless to say, it was only a matter of time before Christian music had their say in the genre, producing up-and-coming artists such as Stacie Orrico, Joy Williams, ZOEgirl, and several other talented young vocalists. Among that group was a 15-year-old girl by the name of Rachael Lampa, a girl who’d soon be known for her catchy songs, and most notably, her larger than life voice.
Over the next several years, Rachael went on to become one of the most successful young woman in CCM. A handful of #1 singles, five albums, non-stop touring, multiple Dove nominations and appearances on several TV shows performing her music. As you can imagine, after spending most of her teen years in the spotlight--literally--Lampa decided to take a few years away from extensive touring in 2006 after her contract with Word Records came to a close. As time went on though, with what seemed like an endless hiatus, longtime fans wondered if Rachael Lampa was ever going to make a comeback to the Christian music scene.
Truth be told, Rachael never actually stopped making music. Not publicly anyway. As a matter of fact, in the five years she spent out of the limelight, she was in the breeding ground of writing what become her best work to date. Having moved from Nashville to Los Angels, come into adulthood, dabbled around in acting, married singer/songwriter Brendan McCarthy and moved BACK to Nashville, all the changes in her life were the perfect source of material for Rachael’s notoriously creative spirit.
“If there is anything that I’ve learned in the past 10 years, it is to slow down and enjoy the day that I am living in,“ Rachael says in a short autobiography of herself on her website, “To be present and available to God and life and opportunities.”
In 2011, to the exceeding delight of fans, Rachael’s transparent creativity finally took flight once more with her long-awaited project, All We Need.
The album starts off with the title track, “All We Need,” and is the perfect opening to what is sure to be a wonderfully introspective album. Right off the bat, you’re going to hear both vocal and lyrical maturity, and it doesn’t stop there, as the listener rolls right along into the album’s first single, “Remedy.” Hip-hop/pop inspired, it brings to mind some of Rachael’s earlier work, and showcases her well-known ability to be a musical chameleon, being able to bounce from style to style flawlessly.
The eye-opening “Savior’s Face,” talks about how we as humanity are all the same in our broken nature and need for a Savior. “Beauty’s Just A Word” speaks of the lessons we can take out of the painful moments in life, which are ultimately allowed for our own good. The jazz infused “No Escape” is sure to stay stuck in your head with it’s irresistible melody, while “Uncharted Territory,” encourages the listener to take risks and not be afraid to go after what they’ve been called to do.
“Elevate” might be the most inspiring song on the record, although similar to the message found on the previous song, it talks about not letting standards hold you back from all your meant to become. The club infectious “My One And Only” is a catchy love song about that one person who will always have our back, and is surely going to become a fan favorite.
An unexpected but well executed cover of Taio Cruz’s “Run To You” makes an appearance on the album, and transitions nicely into “Feel,” which brings to mind Rachel’s previous statement about taking life one day at a time. It’s a beautiful song about learning to embrace every moment in life, including the ones that hurt.
Two bonus songs on the album include the inclusion of “Human,” a duet with Johnny Lang which appeared on a Rachael’s quietly released Human EP back in 2010, and a 2011 re-make to one of Rachael’s biggest smash hits, “Live For You.” It’s a treat to hear the song featured on this album, rebirthed for a new a generation to hear, and it brings this album to a fun and worshipful ending.
Closing Thoughts:
2011 has been an absolutely incredible year for pop music in the CCM market with no signs of slowing down. Among a list of numerous albums not to be missed, Rachael’s Lampa’s All We Need is one of them. This is without a doubt Christian music’s biggest comeback of 2011 and has certainly been well worth the wait. Not only will decade long fans of the singer be thrilled with all of the new material, but newer fans will also be immediately drawn in by Rachael’s unique style and raw passion--raw definitely being a key word on this album. Lyrically, this is Rachael’s most mature and solid work to date, and it will be exciting to hear how her creativity continues to grow as her life continues to change.
I certainly hope we won’t see another five year gap between albums. Rachael Lampa has been one of the most sorely missed voices in the industry, and I speak for many when I say: it’s a treat to have her back.
Bright Start to a Bright Future | Posted September-19-2011
The Internet can be a valuable tool when it comes to discovering new music, especially in Jamie Grace's case. The 19-year-old Atlanta native has been an up-and-comer in the Christian music scene for the last several years, having toured both as a singer and emcee with the iShine Tour.
Jamie’s biggest break however, came in the latter half of 2010 when she was discovered by--would you believe it?--tobyMac, from her CCM cover songs on YouTube. Jamie’s talent caught his attention right away; he immediately knew there was something special about her.
“When some people sing and play, it’s almost effortless, and their joy is all over them,” Toby is quoted as saying. “That’s what grabbed my attention with Jamie Grace. I’ve not been this excited to work with an artist in a long time.”
A whirlwind year would follow the announcement that Jamie was the latest addition to the Gotee Records roster. Not only did her first single, “Hold Me,” maintain the No. 1 spot on Christian Hit Radio for over several weeks straight, she dove right into touring on the 2011 Revolve “Dream On” tour, and headed into the studio to record her first full length album with acclaimed producer Chris Stevens. She did all this, plus carried a full load of college classes in her pursuit to become a children's pastor. Some might call her a superwoman and others might call her crazy, but it was that free spirit and energetic attitude that immediately won her over to the masses.
As a very big fan of Jamie Grace as an iShine artist, I—along with many others—eagerly anticipated the September 2011 release of Jamie's debut album, One Song At a Time, and it doesn’t disappoint.
The album begins with a short prelude titled “Ready To Fly,” which transitions nicely into the aforementioned, “Hold Me,” a duet with TobyMac and hands down Christian music’s Summer anthem of 2011. Moving onto new music, the breezy and relaxed “With You” talks about the stresses of everyday life, but how everything seems to disappear when we stop and focus on God.
“Show Jesus” shines a different light on what other people see when believers show the love of Jesus, while the country flavored “Come To Me” brings a NEEDTOBREATHE vibe to a poignant song about resting in the Lord. “God Girl” is an anthem for all girls about waiting for God to lead them to their husbands. It encourages ladies to avoid all the pressure the world puts on them to find love on their own and understand they are loved by God. It sends a great message and is a sure highlight on this album.
The piano driven “Holding On”--co-written by Matt Hammitt of Sanctus Real--talks about facing doubt and holding on to the truth found in the word of God. “You Lead” picks up the pace of the album once more and takes the role as the most upbeat song on the record. Musically, it follows along the catchy pop lines of “Hold Me” and conveys a wonderful message about walking by faith. I would love to see it as a radio single in the future.
The album’s namesake, “One Song At a Time,” previously featured on her debut EP earlier this year, has been re-recorded for this album and highlights Jamie’s hope for her ministry in music, relating her private life and her carrier to be “note by note by line, one song at a time.”
“1945” is hands-down the standout track on this record and quite possibly one of the best CCM pop songs of the year. Whimsical and charming, it offers a look back at the simplistic lifestyle of prior decades, and how although life might have been far more simple back then, we’ve been placed on Earth for such a time as this: “I could have been born in ‘45, but the truth is, I got here right on time and I thank God for every day of my life, it’s suits me just right.”
The album comes to a close with the moving and melodic “Not Alone,” talking about God being there for us, even in the hardest moments in life. It’s an unexpected way to finish an overall upbeat album, but with Jamie’s soulful vocals and passionate lyrics, it works, and somehow manages to bring the album full circle in the end.
Closing Thoughts:
There are going to be several times while listening to this record you forget you're listening to a young twentysomething share her life experiences, and think you're relating to an old friend. Jamie’s style of songwriting is honest and quirky, almost as if you were reading out of the pages of her diary, and it’s what makers her lyrics both unique and fun to listen to. Musically, this album is all over the place--pop, subtle rock, hip-hop, even country--but it highlights the musical capabilities that made Jamie such a hit on YouTube.
Coming in at around 45 minutes in length, the album feels a little short, but that's kind of a good thing, because it only leaves you wanting more. One Song At a Time is one of the strongest debut albums of the year and one to which men and women alike will be able to listen and relate. Jamie Grace has a VERY bright career ahead of her in this industry, and it will not only be a treat to watch her grow as a musician and songwriter, but also as someone who has made herself a confidant to her listeners. There is no doubt about it: this album is beautiful start to a very beautiful future.
Broken and Beautiful | Posted September-07-2011
Songwriting can be used in many ways. To encourage, to enlighten, or, in Matt Hammitt’s case, to work as a form of therapy. In 2010, the longtime Sanctus Real frontman and his wife Sarah, were delighted to hear they were expecting their third child, a boy, but that delight was soon turned to despair when they discovered their son was diagnosed with Hypoplastic Left Heart Syndrome, a case in which he’d be born with only half a heart. Of all the heart defects, HLHS is the most deadly, and doctors gave the Hammitt’s the grim news that there was a chance their son may not survive.
Faced with every parents worst nightmare, Matt’s faith was tested over the course of his wife’s pregnancy, but having already overcome numerous challenges as a family, this was not a battle they were going to back down from without a fight. Over the course of the next several months, Matt’s songwriting became a conduit in which he could express himself freely, to God and to his family.
In September of 2010, their son, Bowen, meaning “small, victorious one”, was born. And nearly one year and two open heart surgeries later, Bowen has defied all the doctor’s odds of survival. He is a happy one-year-old boy who is a living example of God moving in the midst of prayer.
Having complied a handful of songs during this trying season of his life, Matt was encouraged by his Sanctus Real band mates to release these songs to the public and share the story of how he not only overcame his fears for the worst, but how his faith was strengthened through the aptly titled, Every Falling Tear.
The album starts off with the heart-wrenching “All Of Me”, an anthem in which Matt promises to love his son with all his heart, and not with the fear he might lose him. It gives you the automatic feel of what this family went though during the first several months of Bowen’s life, and offers the message that no fear can overshadow the power of love. “Holding You” is a song written for Sarah, as a reminder to cling to Christ even when things get tough.
“Let Go”, a song co-penned by Joy Williams of The Civil Wars fame, talks of walking by faith even when we can’t see the outcome of our circumstance, while “Trust” follows up on that idea, by bringing to remembrance all the times God has been faithful in the past, and how because of His faithfulness, we need to continually place our trust in Him.
“You Are My Treasure” is the shifting song on the album, in which the listener begins to immerge from the valley and into the light. It’s a beautiful song of praise, referring to Jesus as our treasure in life. I hope to hear it as a radio single in the future. “Without You” shares the message of how we sometimes only look at the big miracles in life and pay little attention to the small ones. Ultimately reminding us that every day of life is a miracle itself, and walking with Jesus is what gives that life a purpose.
The lyrically stunning “Let It Bring You Praise” is my favorite track on the entire record, comparing our lives to a page in a story God is writing. A page in which our lives are made for a reason, and that’s to bring him praise: “before I was born, You numbered my days, the story is Yours, I’m just a page, with every word, I wanna proclaim, let my life proclaim, let it bring You praise…”
“Little Light” and “I Couldn’t Love You More” serve as two soothing lullabies written to Matt’s three children, “Little Light” featuring and outstanding appearance by female vocalist Audrey Assad. The album finally comes to a close with the uplifting “This Is Grace”, a song bringing the theme of this project full circle, reminding the listener that the reason for suffering is to give God the platform to move mightily in our lives.
Closing Thoughts:
This album as a whole serves as a 10 song progression from darkness to light. Beginning in the pit of the darkest valley, and ending at the sunrise of the highest mountain. Every Falling Tear is a lyrical masterpiece, and by far some of Matt Hammitt’s strongest songwriting to date. I was blown away by the transparency found in these lyrics, and absolutely breath taken by how a song so simple could be so powerful. Musically, this isn’t the upbeat pop/rock style of music Sanctus Real fans have gotten used to over the years, but I think that’s what sets this project apart. This is hands down one of the top 10 Christian albums of the year and one longtime fans of the band and beyond will NOT want to miss. I speak for many when I say it has been a privilege to hear how the Hammitt family’s story has unfolded over this last year, and their continuing platform to bring hope to the hurting is sure to leave a legacy we won’t soon forget.
Press play on this 'Anthem' | Posted September-04-2011
Press Play started as the brainchild of founder and lead vocalist David Hanley back in 1997. Having formed a close partnership with Matthew Barnett of the renown Los Angeles Dream Center, Dream Center Studios--a state-of the-art recording studio--was founded a year later, with hopes of bringing the idea to life. Thus, Press Play was born. The mission of the group? To speak the gospel through music using modern beats and relevant lyrics.
Nearly 11 years and seven self-produced albums later, with a growing fan base outside the California vicinity, the group made their official debut to the Christian music world back in 2009 with their Life Is Beautiful project on the newly developed Dream Records, a label founded by Hanley, also in partnership with the Dream Center. The album was hit. The group’s electronic pop sound won over listeners instantaneously, and it wasn’t long before fans were hungry for more of what this band had to offer.
Skip ahead to 2011. Following up their successful 2010 album, “NY2LA,” the band announced they were already working hard in the studio on what would be their biggest project yet--a project which we now know as World Anthem.
“Not only was the creation of this project the most humbling and exciting yet, but I can't wait for everyone to take the journey of a lifetime, through these songs," says David Haney of the album. Longtime and newer fans of the band alike couldn’t wait to hear what this band had up their sleeves next.
The album starts off with the title track “World Anthem,” and goes directly into the infectious and club infused “F-I-R-E,” featuring outstanding vocals from Sada K., the lone female vocalist in the group. The head-bobbing “Let It Out” features a melody that could easily make onto secular airwaves, while the fast past and worshipful “Just Like Lighting” takes the listener into a moment of unhindered praise, referring to the presence of God as the thunder and lightning in a world full of rain.
The quirky “Walking On Air” reminds us to let go and let God take control, and leads into the album’s first single, the melodious “Three Little Words.” The song talks about the world’s need for compassion, and our calling to give them the three words they’re looking for: “I love you.” Diving back into their signature dance sound, the robotic “Raise It Up” talks about making God’s name known and is sure to get you up and off your feet.
“Truth Be Told” is by far my favorite track on the entire record. Musically and lyrically, it stands out. Pop with subtle hip-hop hooks conveys the message that the truth is already available, and it’s our duty as believers to shake the world for Christ with it’s message. “Change The World” follows along the same lines, by challenging the listener once again to be the change the world wants to see.
“Save My Life” starts off with a stirring synth-string opening, and goes on to become the darkest track on the record. It’s an open song about the personal tragedies and brokenness we all face in life, but offers the hope we have in Christ: “I am crying out to You, calling out for my rescue, I am nothing without You… save my life.”
“Give It All” is the only real ballad on this project, and goes back to Press Play’s roots as a worship band by leading you into a moment of personal surrender to the Creator. The album comes to a close with the unexpected “Angels Sing,” which was featured on Life Is Beautiful two years ago. The lyrics have been re-worked, but otherwise sounds exactly the same. I would have liked to have seen the music switched up a bit since it is a repeat song that has already been on a studio project, but nonetheless, it’s still a great song, and a nice way to finish the album.
Closing Thoughts:
This is a solid album with a lot of heart. Musically, while their sound is incredibly catchy, I’d like to see them combine their signature pop sound with heavier rock, as David Hanley’s dominant lead vocals sound, at times, quite similar to Skillet frontman John Cooper. Above all, it’s the lyrics that take the cake on this project. This band’s unique way of spreading the Gospel while getting people jumpin’ is what makes them so appealing, and it’s been a treat to see how they as a group have evolved in these last several years. World Anthem is Press Play’s strongest effort to date, and if they keep growing at the rate they have, there is no doubt what comes next will be anything short of amazing.
Groove-driven Gospel at its Best | Posted August-29-2011
Micah Stampley is no stranger to the world of gospel music. Since winning the 2004 Stellar Award Gospel Music competition, he went on to record multiple albums on Dexterity Sounds (a label founded by none other than Bishop T.D. Jakes), before recently forming a partnership with the label Music World Entertainment, who currently houses some of the biggest mainstream urban and gospel acts in the business.
With all his many successes, it’s hard to believe that this grown-up preacher’s kid who started conducting church choirs at the age of seven, began his life in the least likely of circumstances. Growing up in tumultuous neighborhood, he witnessed a shooting outside his home at the age of nine, and went on to see two of his brothers meet the same fate.
Despite the tragedy surrounding his younger years, he wasn’t going to let that stop him from living out the calling he knew God placed on his life, saying of his childhood, “I refused to become a part of my environment. I didn’t know that this would happen for me, but what I did know is that I loved God. I really truly loved the Lord Jesus Christ and I just felt there was something more for me than what I was seeing and experiencing.”
With his upbringing in mind, Micah Stampley’s mission in life is to bring the love of Christ to a hurting world through the power music, and his latest album, One Vo1ce, shares that message beautifully.
“Heaven On Earth” starts the album off with a classic gospel music feel, then takes you into the upbeat track “Shout.” Micah is known for his unique style of music, having grown up listening to diverse acts from Jackson 5 to Michael W. Smith. This song showcases that greatly. It’s worship and groove-driven gospel at it’s best.
The bass driven “Hosanna” is sure to become a favorite among listeners with its powerful lyrics and funky beat. The short but beautiful “Prophetic Interlude,” a personal prayer which could be seen as the reprise of the previous track, leads you directly into “Overcome,” a cover of the beloved Jon Egan/Desperation Band worship song that has captivated and moved worshipers since its release back in 2008. It’s a fantastic edition to this album and I’m sure many will be happy to hear it.
“Worthy” highlights the passion found in Stampley’s praise, while “Desperate People”--the standout track on this album musically--speaks out about how we as the body of Christ needed to be living our lives above average. It‘s a perfect representation of Stampley’s out-of-the-box, wonderfully creative style of worship. “Search For You” speaks about the desperation of humanity and the saving power of our God while another spoken prayer interlude is a serenade to the Lord Himself.
Picking up the pace once more is “High Praise,” a high-energy, fun song. “Crucified” sings of the unfathomable sacrifice Jesus made for us on the cross, and how we now have eternal life because of what He did for us. “Call Of Love” with an anthemic rock feel is a song that could very easily get airtime on Christian radio--a rarity for gospel music--and is lyrically my favorite track on the record. The message of that song is how we need to answer God’s call on our lives and the love people around us as He would: "for the shamed / let my heart burn with a flame / let me be the conduit of perfect love.”
The title track, “One Voice,” talks about the diversity found in the human race---from our skin tone to our style--but declares that despite all our differences, when we join together to praise God, we all become one. The album comes to an end much like it began with “We Need The Lord”, another classic gospel song that is sure to leave the listener stirred about their faith and challenged to go into the world and change it for Christ.
Closing Thoughts:
After hearing One Vo1ce, I can see why Micah Stampley is fast becoming one of the most respected leaders in the gospel music community. No two songs on this album sound the same. Stampley’s craftsmanship, along with his lyrics (co-penned by his wife and partner, Heidi Stampley) are sure to leave you moved to the core and lead you into a passionate time of praise to our Creator. This album is a prefect representation of who Micah Stampley is, and it’s one that gospel music lovers of both old and new are not going to want to pass up.
What An Array Of "Colors"! | Posted August-29-2011
What do you get when you mix one part Switchfoot-esque lyrics to two parts Owl City inspired melodies? Well, you’d most likely get something you’ve never heard before. In a nutshell, the up-and-coming pop/rock quartet We Are Leo is just that.
The Chicago-based group first got the attention of the Christian music world when it was announced that they were one of the first acts signed to the newly developed Skies Fall Records, a label started by none other than former Skillet guitarist, Ben Kasica.
“I became a fan of We Are Leo from the first time I heard them,” Kasica says of the group, made up of brothers David and Jonny Duffield, Doug Weier, and Andrew Enriquez Alojipan. “I’m personally moved and blessed by their songs, so it was an honor to work on their record.”
Needless to say, after coming from someone who has multiple accolades in his own right, big things were expected from We Are Leo’s debut project, Hello, posing the question: Would it deliver?
The album begins with the sunny and pop/rock infused “Supernova Sunrise” and leads directly into the whimsy and electronic “Heartbeats,” which is a sure to become favorite among fans. It’s clear that this band pulls heavily from Top 40 influences, and that influence makes itself know in this song in a big way. The lyrically stunning “Oxygen” is a promise of sorts, conveying the message of God being our ever-present source of life in a toxic and deadly world: “I’ll be your oxygen when you can’t breathe, and I’ll be a song for you when you can’t sleep…”
“Seventeen” is a raw and broken song of confession. Speaking of past mistakes and the painful memories bad choices have evoked in the lives of the hurting. As honest of a song as it is, it offers a standing message of redemption, and how a life can be made new by using the analogy of a canvas “being painted twice.” As much as it should be, this will most likely not be a song you’ll hear played on the radio, but it will no doubt become one many young adults will relate to and grab hold of immediately.
“Colors” paints the picture of God’s immense love for His children, while the bubbly “Live For Love” tells the listener do to just that. It’s a great song and a timeless reminder that if we have love, we have everything we need to live. The whispery “Remember You” comes in at just under two and a half minutes, and would be considered more of an interlude than a song, but it’s because of the mystery it expresses that you can’t help but come back and listen to it over and over again.
The album comes to a close with the heavily 80s-inspired “I’m With You,” the surefire standout track on the record. Infusing techno pop with grungy guitars and adding in an awesome message of the hope we have in God’s love, it’ll only leave you wanting more. Of all the styles of music this band tackles on this project, this is the one I’d love to see them pursue more of in the future. It ends this album on a high note.
Closing Thoughts:
The year 2011 has seen a list of fantastic debut albums from artists that are sure to become future leaders in our industry, and I can say with full assurance, We Are Leo not only makes that list, but they’re out to top it. Hello is a solid pop/rock record I recommend to all fans of the genre, but way beyond that, I recommend it to anyone looking for lyrics that move them to worship and overwhelm them with heartfelt truths. Great things lie ahead for this band, and I certainly speak for many when I say, we are all looking forward to it.
It’s funny how we sometimes assume that when a band signs a record deal, they’re an up-and-coming group without any credentials to their name. Then you run into bands like The Advice--the latest addition to the InPop Records roster--who defy that logic, and you begin to realize that, on occasion, “new” bands aren’t all that new at all.
Since their formation in 2003--that’s eight years ago, friends--this talented quintet of guys has made a name for themselves as a successful indie band before signing their record deal in early 2011. They’re notably known for the release of their first single, 2010’s fun and ridiculously catchy “Your Love Sets Me Free.”
Fans of the group (also known as “Advisors”) were delighted to hear that the band was working on new music shortly after the label announcement earlier this year. To tide over Advisors while putting together their first full length project, The Advice provided its July 2011 release, The Advice - EP.
The short-but-sweet extended play starts off with the groovy and horn-laced “Your Light Shines,” which is the perfect representation of the “rock and soul” sound this band is known to deliver. Lyrically, the song brilliantly showcases the sharp vocals of Matt Houston,, the group’s lead vocalist.
The fun pop tune “Forever Changed” shares of encountering God’s redeeming grace, and how our lives can never be the same afterwards--calling out to God to take us to a higher level. The EP comes to and end with the aforementioned “Your Love Sets Me Free,” a song most fans will already have heard. It’s the driving force behind this EP and highlights a band that is sure to become one of Christians music’s bands to watch in the upcoming year.
Closing Thoughts:
The Advice - EP is unlike any debut Christian music has seen in quite some time--original, quirky, upbeat, and inspiring all at once. The harmonies between all five guys are seamless, and their rock/pop-meets-soul delivery doesn’t disappoint. The shortness of the EP might be my only complaint, but it only gives me and other fans of this group something to look forward to with their debut album. If what’s to come sounds anything like this EP, The Advice is sure to have a great and long-lasting career in this industry.
In the last five years, musicians such as Lady Gaga, Katy Perry, Rihanna, and other female vocalists have dominated mainstream radio with their catchy beats, signature voices, and controversial lyrics.
From Gaga openly admitting her admiration for “Judas” to Rihanna admitting she loves the way her beau lies to her, it would seem the only way lovers of today’s urban influenced pop music would be able to enjoy it would be having to bear with it’s backwards and blatantly vulgar messages.
Personally, as someone who has a young teenage sister who loves pop music, the thought of her listening to many of the songs currently on the charts is, frankly, sickening. Myself, like many, have long been hoping for a God honoring alternative to counter-act the messages found in today’s culture and take back the music for the One it was created for.
Enter Beckah Shae.
Certainly no up-and-comer in the industry--having previously released a handful of independent projects--Shae’s career caught the eye of Christian music lovers in 2010 after hearing “Funky Jesus Music,” her duet with tobyMac on his acclaimed Tonight album, as well as her two chart-topping singles, “Here In This Moment” and “Life” from her most recent album, Life.
Having garnered a dedicated following over the last year--in part by her unique way of connecting with people through “Scripture Snacks” (verses sung a cappella) and re-tooled Top 40 covers on her YouTube channel--it was only a matter of time before a follow up to Life was not only wanted by fans, but demanded.
“People are only listening to what’s being handed to them,” Beckah says of the message found in today‘s mainstream pop music. “It’s up to us to give them something more to help renew their minds.” Beckah Shae’s highly anticipated 2011 release, Destiny, does just that.
The album surprisingly starts off with the haunting and dramatic “Are You Ready,” a convicting question aimed at the Church and our readiness, or lack thereof, for the return of Christ. Picking up speed, “Music” shares the heart behind Beckah’s ministry of taking back music for the kingdom, mincing no words in the process: “We need a remedy for the insanity / we need a melody to help us believe.” This is a track listeners will gravitate to immediately, and I hope to see as a single in the future.
“Supernova” spreads the message of being the light in a dark world, while the club influenced “Holy”--unconventional to say the least--leads you into a moment of worship. The R&B flavored “Just to Know” goes directly into the album’s first single, “#putyourloveglasseson”, inspired by a common hashtag Shae is known to use on Twitter. Far more than a social quirk, the song is a challenge for people to step out of their comfort zones and reach this world for Christ by seeing people through His eyes.
“For Such A Time As This” ties in the theme of the record, ordinary people doing extraordinary things, and encourages the listener to see beyond the battles they are facing and press on towards the prize that lies ahead. “Show Me” is a Rihanna-sounding, straightforward message against secular conformity and the search for truth, and is hands-down the standout track on this album. Vocally and musically. Had I not known, I never would have suspected I was listening to a Christian album. Fantastic artistry.
The fast paced “We Are” starts off with a victorious blast from a traditional Jewish Shofar (as a handful of the songs on this album do). It becomes an anthem, encouraging us to be the change we want to see in this world.
The inspiring “Hope” gives the listener just that, before diving into the most dance-driven of all the songs, “Gold.” Many fans had the privilege of hearing this song as it became available last year as an iTunes exclusive. It makes a great addiction to this album and once more, ties in theme of the album before coming to a close with the title track, “Destiny,” which boasts the message of our future not being governed by fate, but by the choices we make. It’s a thought-provoking and fun way to end a thought-provoking and fun album.
Closing Thoughts:
Beckah Shae has once again left me speechless. This album, from start to finish, is a complete gem. It’s obvious how much Beckah loves her art, but more than that, it’s obvious how much she loves Jesus. Every song on this album is challenging, convicting, upbeat, and worshipful. While this might not be the “most-own” album of the year for those who are into a more laid-back, contemporary style of music, those who are looking for the God-centered alternative to mainstream pop have definitely found their new favorite singer. Destiny is easily one of the top five Christian pop albums of the year and something die-hard fans will NOT want to miss. If Beckah Shae continues on the path she has with this record, I can safely say we have many, many more years of excellent music to look forward to.
A Musical Grab Bag | Posted July-29-2011
There is a good chance you are familiar with the long running CCM group The Katinas for several reasons. Their many successful years as a band on Gotee Records, their partnership with Greg Laurie and the Harvest Crusades, or the work they’ve done with Samarian’s Purse after the 2009 Samoa earthquake, an event that shook their Samoan roots and caused them to take action. Any way you might have heard of them, there is no denying that John, Jesse, Sam, James, and Joe, otherwise known as the Katina brothers, have a loyal following, and one that’s has been patiently awaiting new music since the release of their first independent project, Still, nearly three years ago. So you imagine the delight of those longtime fans when this talented group of brothers made their return to the music world in June of 2011 with their long-awaited and latest project, Collage.
The album starts off with a bang, a track titled “L.O.V.E” which encourages the listener to do just that. Love others as God has loved us. Musically, it’s a far cry from the adult contemporary sound this band is known for, making the tradition from a low-key melodic style to diving headfirst into danceable pop territory. From here, this album shows no signs of stopping with the just as upbeat title track and the encouraging “I’ll Wait”, a perfect anthem for those who find themselves in the middle of a storm and have decided to take a stand and wait on the Lord.
From here, the album slows down dramatically and gets back to The Katinas familiar worship roots. The piano driven “Jehovah”, a beautiful ballad featuring the vocal talents of acclaimed female vocalist CeCe Winans, sings of the favor of God and His almighty presence in our lives. They deliver a well-made re-make of the beloved Delirious anthem “Majesty” before going into my favorite song on the record, “Worthy”, a duet with award winning male vocalist Jeremy Camp. Camp’s vocals bring a depth to this song that, when arraigned with these brothers harmonious vocals, is sure to lead the listener into an intense moment of worship.
Picking up the pace once more, “Love People”, another duet featuring rapper and fellow Gotee alumni artist, B.Reith, shares the mission of the band, which is to simply lift the name of Jesus and, of course, love people. “Every Bit Of You” is a cute and bouncy love song that is sure to become a fan favorite, while “La’u Pele Ea” is a Samoan influenced track which is certainly a nod to their culture and the restorative message they’ve been passionate about sharing these last several years since the earthquake.
“How He Loves” is a cover of the smash John Mark McMillan worship tune that the church has grown to love. It is one of the most unique arraignments of the song I‘ve heard to date, and one many worshipers will enjoy. The album comes to close with the track “Home”, a personal message to a prodigal, and how they are never too far from God’s love (“Whatever you've done, there is room for everyone, this is love, the time is now, come on home.”)
Closing Thoughts:
There is no denying how talented this band is. The harmonies are seamless, and their voices are stronger than ever, but as a listener, I can’t help but feel this album lacked a cohesive flow. I’m all for a diverse mix of styles, but it almost sounds like you are flipping between two albums --a classic Katina’s album and a remix project-- with nothing bringing the two together. While there are a few glimpses as to what this band is great at, I think in the future, they should try to find a medium between the two styles. That aside, while it might not be their strongest effort musically, there is no denying the well-written lyrics on this album, and in the end, it’s the message that matters far more than the music. These men are powerful worship leaders and their influence in the genera will be felt in the industry long after they’re gone. Collage is a must-have for long time fans of this band and they surely won’t disappointed.
SarahFine_NRT's Music and Book Reviews 
