The Long Surrender
by
NEEDTOBREATHE The Long Surrender is NEEDTOBREATHE’s tenth studio album, and the follow-up to 2023’s Caves. The album has a mostly stripped-down acoustic sound – with the exception...
Songs of The Saints (Deluxe Edition)
by
Phil Song of the Saints by Phil Wickham was one of my favorite albums of 2025. Wickham is back with a massive 18 song Deluxe edition, bringing the entire Song of the Saints project to 34 songs....
Jamie MacDonald
by
Jamie I first heard of Jamie MacDonald when she recorded a version of “God Did It” with TobyMac. She then appeared on “My Father’s World” on Chris Tomlin’s The King is...
Excellent EP from Social Club Misfits | Posted November-19-2019
Social Club Misfits, comprised of rappers Fern (Fernando Miranda) and Marty Mar (Martin Lorenzo Santiago), return with Doom, an excellent six-song EP. I've enjoyed some of their previous music, particularly 2018's Into the Night, and its predecessor 2017’s The Misadventures of Fern & Marty. I really enjoyed Doom and look forward to their new full-length release.
Below are a few comments about each song:
Doom – This song was written by Jung Youth, Dave James and Marty and Fern, and produce by James and Marty. Jung Youth handles the vocals on the chorus, with Marty and Fern each taking one of the verses. If they can reach one person, it will be worth it. It’s never been about fame, but purpose. God never said it would be easy, but that He would be by their side and never leave them.
The song features keys and some nice percussion.
Key lyric:
I know that You’ll be there
Now there’s no more doom
Believe – This song was written by Fern and Marty, and produced by DJ Pez and Marty. Dave James adds vocals to the song. Marty has stated that the song is about struggling with faith, looking for an answer and waiting on a response. Do you still believe in what you can’t see? The song features keys, percussion and bass.
Tamo Aqui – This song was written by Fern, Marty and Israel Steven Mercedes. The song was produced by Rey King, who also sings the chorus. The song title means “We are here” in English. Fern sings the first verse in Spanish and Marty the second in English. The song features a good beat, horns and backing vocals.
God WYA – This song was written by Fern, Marty and Ben Lopez and produced by Lopez. He’s sorry for the time he’s wasted, when he took God for granted. Now, the more he prays the freer he feels. The song features a good beat, driven by bass, percussion, keys, backing vocals, and has a memorable chorus.
Enough – This song was written by Fern, Marty, Willyecho and Austin French. It was produced by Jordan Sap. Austin French handles vocals on the chorus and bridge. The joyful song features finger snaps, bass, keys and percussion. Even when we’re broken and tired, God is enough, enough, enough. A highlight.
Stones – This song was written by Fern and Marty and produced by Dave James and Marty. The song features guitar, backing vocals, bass, drums and synth. The song is about being honest about our struggles. We don’t always understand, but it’s the peace of God that surpasses all understanding (Philippians 4:7).
Propaganda and Derek Minor Collaboration | Posted November-18-2019 Nothing But a Word, a seven song EP, is the result of a plane delay that left Propaganda in Nashville with some extra time on his hands. He contacted longtime friend Derek Minor about recording and that led to this collaboration. It is Propaganda’s first project since 2017’s excellent Crooked, one of my favorite albums that year. The new project was produced by Minor.
Here are a few comments about each song:
Dope – This song features John Givez as he shares vocals with Propaganda. He’s underrated and underestimated, and has some folks back home questioning how he made it. Life’s not perfect, but it’s worth it, because it’s dope. The song features finger snaps, backing vocals, synth and bass. A highlight.
Key lyric:
Remind me I ain't crazy and the grace stay amazing
He came down to prove I wasn't talking to an empty room
Remind me that the truth is that I'm looking at an empty tomb
Comments – This song addresses our online (Twitter, etc.) lives and how we can get pulled into debates by people we don’t even know. The information cycle is polarizing, and it’s beneath you to believe that nonsense (deep state, fake news). The song features a heavy beat, driven by percussion, bass, synth. Contradiction – This song features Aaron Cole on vocals. He wants to honest, shares the many ways that his life is a contradiction who is at war with himself. The song features a heavy beat, driven by bass and percussion, and also features some guitar.
Impose – Although he’s not one to hold his tongue, he has grown a little, and is working on his patience. He doesn’t want to impose or tell you what you already know. The song references Donald Trump, privilege and equality. It is driven by synth and a steady beat.
Overjoyed – He’s overjoyed, but not overwhelmed, living in California, where good churches and bad cops are on the same boulevard. He speaks of fine tuning his priorities, which seem like they are always at war with him. The song features some excellent guitar work.
Key lyric:
It ain’t love if you ain’t willing to fight for it
It ain’t real if you aren’t willing to kill for it
Change – This song is about some things that need to change. What lessons can we learn. We are a culture in crisis. The song references such current issues of refugees and equal pay for women. The song features Daniella Mason on vocals, guitar and a bass beat.
Fallen – This song features Tobe Nwigwe and Liz Vice on vocals, over drums and a bass beat. The chorus includes “They say that we are fallen, then tell me why you follow”. Propaganda and Nwigwe handle the verses.
Key lyric:
When Lucy try to tempt you, remember that it was written
Sara Groves Second Christmas Album | Posted November-17-2019
Sara Groves follows up her 2008 Christmas album O Holy Night with Joy of Every Longing Heart, which she calls the bookend to the earlier album. While O Holy Night featured songs about Jesus’ birth, Joy of Every Longing Heart - which is a mix of new songs, Groves’ interpretation of 5 traditional Christmas songs, and one instrumental - focuses on those who were directly part of the Nativity story, the angels, wise men and shepherds. The album’s title comes from the last line of the song “Come Thou Long Expected Jesus”. The album cover art is a rendition of the city of Bethlehem, purposefully showcasing the color tones of oranges and purples to represent the dawn and awaiting the birth of Jesus. The album was produced by John Mark Nelson and recorded at Art House North, a one hundred-year-old house in St. Paul, Minnesota. A minor complaint is that the nine songs clock in at just 32 minutes.
Below are a few comments about each of the songs:
O Come O Come Emmanuel – This Christmas standard was written by John Mason Neale. The joyful song features light drums, bass, a guitar solo, backing vocals, and some excellent piano. A highlight.
Angels From The Realms of Glory – This song was written by James Montgomery. The song features guitar, piano, backing vocals and light drums. The song starts slowly and then gently builds.
God Rest Ye Merry Gentleman – This is a traditional English Christmas carol. The song features piano, strings, drums, guitar and backing vocals.
Come Thou Long Expected Jesus – This song was written by John Stainer, and features acoustic guitar, piano, some nice drum work, backing vocals and a new chorus.
We Wait – This new song features guitar, piano, bass, drums, backing vocals. The song is about the people of Bethlehem waiting. They wait for a number of things – a sign, peace and goodwill to all men, a break in the weather, the light of the morning, and most of all they wait for Jesus.
Winter Wonderland – This song was written by Richard B. Smith and Felix Bernard. The song features a slower pace than usual and acoustic guitar, piano, bells, and backing vocals. It also includes a reference to St. Paul, Minnesota, where the album was recorded.
Just Like They Said – This new song is seen through the eyes of a shepherd as he first heard about the birth of Jesus. The sky was on fire. It was just like they said it would be. He was wrapped in a cloak and laid in a manger. But no one believed the shepherd, instead shaking their heads and saying nothing good comes from Bethlehem. But he knows what he saw. The song features piano, bass, backing vocals, and strings.
Tidings – This short instrumental was written by John Mark Nelson and John Arndt. The song features cello and strings.
Let Our Gladness Have No End – This song was written by G. Kucharik. It features piano, backing vocals and strings.
New Christmas EP From Chris Tomlin | Posted November-16-2019
Over the years, Chris Tomlin has given us some excellent Christmas music, primarily through his two full-length Christmas albums 2009’s Glory in the Highest: Christmas Songs of Worship and 2015’s Adore: Christmas Songs Of Worship. His latest release is Christmas Day: Christmas Songs of Worship, a four song EP. The EP features three new songs, and one classic Christmas song.
Here are a few comments about each song:
Christmas Day – This song is written by Ed Cash, Scott Cash, Franni Cash, Martin Cash and Andrew Bergthold. This joyful song features drums, guitar and excellent vocals by Tomlin and We The Kingdom. Classic Tomlin, this song would be a good one for congregational singing.
Key lyrics:
Sing all you people
The Lord almighty reigns
Sing every creature of God
Come bless His name
For He is good, for He is good
He was born to conquer the grave
Light of the world
The reason for Christmas Day
His Name Is Wonderful – This song is written by Tomlin and Ed Cash with a chorus taken from Isaiah 9:6. The song begins with Tomlin singing over piano, and then builds with drums, strings and choir.
Key lyrics:
Come and adore Him
On bended Knee
He came to Ransom
Someone like me
Little Drummer Boy – This Christmas classic was written by Katherine Davis, Henry Onorati and Harry Simeone in 1958. The song features guitar, backing vocals and of course some excellent drum work.
Hope Of Israel – This song was written by Tomlin, Ben Fielding, Jason Ingram and Reuben Morgan. The song begins with Tomlin singing over piano, then builds gently with strings and backing vocals.
Good Addition to Your Christmas Music Collection | Posted November-16-2019
I love Christmas music and each year add new albums to my collection. Christmas by Sandra McCracken is a new album that I can recommend to you. I became aware of McCracken’s music at a few conferences that my wife Tammy and I have attended recently.
The album was recorded over three days in a studio just outside of Nashville. McCracken wrote that she joined up with Gabe Dixon, Will Sayles, Anthony LaMarca, Joey Bradshaw, Cindy Morgan, Matt Pierson, Don Chaffer and Tim Nicholson to make the record. Russ Long mixed the recordings together with orchestration from Isaac Wardell and friends in Charlottesville, VA, vocals from Josh Garrels in Indiana, and cello from Cara Fox and B3 from Phil Madeira.
McCracken has had the desire to record a Christmas album for years. It was on a trip to Israel two years ago when she visited the birthplace of Jesus and the shepherd’s field near Bethany that pushed her to make Christmas. The eleven songs include both originals and Christmas classics. Here are a few comments on each song:
Joy to the World – This Christmas classic written by Isaac Watts, features McCracken singing over piano, light guitar, bass, cello and drums. She adds a new chorus “Repeat the sounding joy”.
Ring the Bells – This song was written by McCracken and Cindy Morgan. McCracken has said that she wanted the song to provide a picture of a present-day holiday scene, the family gathering together, the candlelight service, the call for peace and comfort from one to another. The song features some nice piano, strings, drums and bass.
Key lyrics:
We’re gonna ring the bells on Christmas day
Let the light bring forth the dawn
We’re gonna ring the bells the joy proclaim
Giving us hope, helping us carry on
All is Well – This song, set around the birth of Jesus, in a manger, a humble landing in a quiet place, is written by McCracken and Cindy Morgan. The song features acoustic guitar, bass, light percussion and piano.
Mary’s Arms – This joyful song, with a memorable chorus, features piano, light percussion, strings, and backing vocals, ending with some excellent organ. A highlight.
Key lyrics:
Now is the time,
Songs fill the skies
Redeeming love, baby child
Resting in Mary’s arms.
Jesus What A Wonderful Child – This traditional spiritual begins with bass, and then adds guitar, drums, hand claps, piano, organ and some excellent backing vocals from Cindy Morgan and Gabe Dixon. It’s instantly likeable and my favorite song on the album.
Hark the Herald Angels Sing – This Christmas classic was written by Charles Wesley (lyrics) and Felix Mendelssohn (music). The song features bass, piano, light percussion and organ.
This Is the Christ – This song was written by Martin Luther (lyrics) and McCracken (music). The song features McCracken singing over piano, bass, light guitar and drums.
Key lyrics:
This is the Christ, our God and Lord
Who in all need shall aid afford
He will himself our savior be
And from our sins will set us free
Bright Morning Stars – This short traditional song features McCracken leading a group of singers. The song has a raw sound, much different from the other songs on the album, leading you to believe that it wasn’t recorded in a studio.
Go Tell it on the Mountain – This African-American spiritual song, compiled by John Wesley Work, Jr., and dating back to at least 1865, is one of my favorite Christmas songs. The joyful song features acoustic guitar and some excellent backing vocals. A highlight.
The Space Between – This song was written by McCracken, Cindy Morgan and Gabe Dixon, and features Josh Garrels on vocals. The song looks at the days after Christmas and before the New Year begins. McCracken has said that the song is a reflective, joyful reminder to accept the discomfort of life transitions with grace. It is a call to see what’s next. The song features acoustic guitar, bass, drums, piano and strings.
Silent Night – This Christmas classic was written by Joseph Mohr in 1816. The beautiful version of the song features McCracken singing over acoustic guitar, backing vocals, and strings.
An Irish Christmas Celebration | Posted October-27-2019
August 19, 2019 was one of the hottest days of the year in Nashville, with the temperature reaching 96 degrees. Day one of the Sing! Getty Worship Conference had a theme of the Incarnation. That day of the conference was closed by two Christmas concerts at the Grand Ole Opry House that were filmed for a television special. Sing! An Irish Christmas – Live at The Grand Ole Opry House, the Getty’s third Christmas album, includes an hour and 18 minutes of content, and is the audio companion to the television special.
The Getty’s are backed by their incredible band, along with several special guests. The album includes just about everything you might expect from a Christmas album - from instrumentals just as “Sleigh Ride Medley”, classic Christmas carols such as “God Rest Ye Merry Gentlemen”, “O Come, O Come Emmanuel”, and “Joy to the World”, a wonderful new song “Elizabeth”, written and performed by Kristyn Getty and Ellie Holcomb – as well as some songs you might not think of as fitting on a Christmas album (“Inoshowen”, “In Christ Alone").
The Getty’s band is excellent throughout. Special guests, in addition to Holcomb, include the joyfully energetic Venezuelan classical flutist Pedro Eustache, rapper Trip Lee, who adds his talent to “O Children Come.” The great guitarist Phil Keaggy is featured on “Silent Night”, and Matt Boswell and Matt Papa perform their new modern Christmas hymn “Sing We The Song of Emmanuel”, written with Stuart Townend and Keith Getty, from their album His Mercy Is More: The Hymns Of Matt Boswell And Matt Papa.
This album, and the upcoming television special, will be wonderful ways to celebrate the Christmas season.
Re-Recording of a Classic | Posted October-27-2019 Behold the Lamb of God (BTLOG) is a brand-new recording of Andrew Peterson’s 1999 Christmas album, produced by Ben Shive. This year marks the 20th anniversary of his annual BTLOG tour, which I’ve been fortunate to attend twice. In Chapter 4 “Behold the Lamb” of his new book Adorning the Dark: Thoughts on Community, Calling and Mystery of Making, (which Peterson read in his breakout session at the 2019 Sing! Getty Worship Conference), Peterson writes about the history of the album and tour. He writes:
“What if there was a Christmas concert that was only about Jesus? What if it told a story? And what if it didn’t sound like your usual Christmas songs, but like the music I listened to the rest of the year? In other words, what if it sounded like Nashville, with dobros and hammered dulcimers and fiddles and folk singers, instead of Bing Crosby?”
BTLOG would be a Christmas tour, initially booked before all of the songs for the album were even written. They would not be singing traditional Christmas songs. The songs would tell a story but there wouldn’t be any speaking parts.
BTLOG is a creative concept album telling the Christmas story from both the Old and New Testaments. It was only a few years ago that I heard the original 1999 edition, which was packaged with a live version of the concert in a 2009 10th Anniversary edition.
The new recording is well produced and much like the original, features excellent players, and Peterson sharing the spotlight in community with a few different artists. Peterson indicated that that album was recorded in just two days with about twenty old friends. A few of those friends were:
Jess Ray, a singer-songwriter from North Carolina, who sings lead on “Passover Us”.
Scott Mulvahill, a singer-songwriter and multi-instrumentalist who I remember playing an incredible upright bass on the 2018 BTLOG tour, sings lead on “Deliver Us”.
Andy Gullahorn, a singer-songwriter and guitarist sings lead on “It Came to Pass”
Jill Phillips, a Nashville based singer-songwriter, who is married to Gullahorn, sings lead on “Labor of Love”.
Not many artists go back and completely re-record one of their classic albums. I’m glad that Andrew Peterson has. Check out this new recording and try to catch one of the shows on his BTLOG tour. You won’t regret it.
Cleaning out the Vault | Posted August-31-2019 Work in Progress, the latest from Andy Mineo is a mixtape/podcast hybrid. It features 12 songs that are raw, unmastered and alternate versions of tracks recorded over the years. Each song has a clip from his podcast that explains what the song is about. The songs have been on his hard drive for years, some dating back to 2014, but have never been released for various reasons. The songs are classic Mineo. I’m glad that he cleaned out his vault, and that these songs are seeing the light of day.
Below are a few brief comments about each song:
Reflections – This song was written by Mineo, Joel McNeil, John McNeil and Evan Ford. It was produced by 42 North and Ford. This song is driven by keys and drums. Andy talks about an encounter with a fan, Jesus being crucified and questions which America we speak of when we say we want to make it great again.
OT OD – This song was written by Mineo and produced by BEAM and Alex Medina. It features BEAM on vocals. This song, with its many sports references, sounded like it would have felt at home on Andy Mineo and Wordsplayed Present Magic & Bird. It features percussion, synth and handclap.
Keepin It Movin’ - This song was written by Mineo and Guvna B. It was produced by Iggy Music. It features London rapper Guvna B on vocals. The hard-hitting song about their careers and daily life features synth and drums.
I Don’t Need You – This song was written by Mineo, Matthew Scott Cohen and GAWVI, and produced by Cohen and GAWVI. This emotional song features synth, drums, bass and handclap. He doesn’t need them. He’s built walls so as not to feel pain. By the end of the song he realizes that maybe he does need them after all.
1988 – This song was written by Mineo and produced by Nottz and 42 North. Andy is reflective about turning 30. He addresses time, which will one day go on without him. He considers how he might be remembered. Now he’s less eager to prove something, but more confident in who he is.
Anything But Country – This song was written by Mineo, GAWVI, Joseph Prielozny and !llmind and produced by !llmind, GAWVI and Prielozny. The song addresses stereotypes (music, girls), As he has gotten older, he’s formed his own opinion and stopped letting other people do his own thinking. The song features percussion, backing vocals and an infectious chorus.
Another Me - This song was written by Mineo and produced by GAWVI. This is a love song to Mineo’s wife. She’s his priority. He doesn’t want to miss any of her. The song features synth and some backing vocals.
Til Death - This song was written by Mineo and Brian Reath. It features Reith on backing vocals. The song for Mineo’s has a catchy R&B vibe, and features keys, percussion, guitar and handclap. He promises to be there for worse or better till death do they part. The song was recorded in 2014 around the time of his wedding.
So Gone Easy – This song was written by Mineo, B.Keyz, Dave James and Ace Harris. It was produced by James and Harris and features B.Keyz and James. The song features percussion, synth, guitar, keys, and bass, and varies in style between rap and easy going. He’s been doing this for so long, it’s so hard to make it look easy.
Honest 2 God – This song was written by Mineo and BEAM, and produced by BEAM and Daniel Steele. The song features bass, drums, synth, and some backing vocals. He wonders how often we have honest moments. He addresses some doubt of his faith, depression, his wife and grandmother. The honesty here is similar to his recent EPs The Sword and The Arrow.
I Ain’t Done – This song was written by Mineo and produced by BEAM. A version of this song appeared on his 2018 EP The Arrow. This song features a heavy bass and drum beat. He addresses his depression and anxiety. He’s not done making music. As long as there is breath in his lungs, he’ll keep rapping.
Family Photo - This song was written by Mineo and Weathrman and produced by Weathrman. A version of this song appeared on his 2018 EP The Arrow. The song tells the story of Mineo’s father not attending his wedding.
"The Elements" Remixes and One New Song | Posted August-29-2019 The latest project from TobyMac is his fifth remix album. The project includes new mixes of 10 of the 11 songs from his excellent 2018 album The Elements (only “Starts with Me” is not included here), and one new song “Heart of My Beat”. Each song has a different producer and guest vocalist. I’m not usually a fan of remix projects, but this one is pretty good, featuring a few of my favorite artists (Crowder and Matt Maher), some others who are well known (Jen Ledger, Bart Millard, Jordan Feliz, Cory Asbury and Sarah Reeves) as well as some others that I was not familiar with. As with all of TobyMac’s projects, the production is of a high quality. Even with the diversity of producers and guest vocalist, the project has a cohesive feel.
The full track list, with guest vocalist and producer is listed below:
The Elements, with guest vocalist Jen Ledger of Skillet. Produced by Neon Feather.
Hello Future, with guest vocalist Crowder. Produced by DJ Maj Par-T Side.
Overflow, with guest vocalist Bart Millard of Mercy Me. Produced by Willyecho
See The Light, with guest vocalist Jordan Feliz. Produced by RUSLAN.
Everything, with guest vocalist Jonathan McReynolds. Produced by Capital Kings.
I Just Need U, with guest vocalist Cory Asbury. Produced by Tide Electric.
It's You, with guest vocalists Matt Maher and Terrian. Produced by Tide Electric.
Horizon (A New Day), with guest vocalist Aaron Cole (who guested on “Starts with Me” on The Elements). Produced by Stereovision.
Scars (Come With Livin'), with guest vocalist Sarah Reeves. Produced by Neon Feather. A highlight.
Edge Of My Seat, with guest vocalist Cochren & Co. Produced by THUNDERBIRD.
Heart Of My Beat. This is the one new song on the album. The song is produced by JT Daly and written by TobyMac, Daley, Sarah Reeves and Sam Tinnesz. Toby sings that God has been with him every step of the way, opening doors for him and guiding him along His plan. The song has a good beat and memorable chorus.
Key lyrics:
From the start to eternity
You are the fresh air I breathe
You will always be
The heart of my beat, the heart of my…
You put the soul in my melodies
I write the songs in Your key
Yeah, You will always be
The heart of my beat, the heart of my…
If you haven’t listened to The Elements, I would start there, but this new remix project is enjoyable and certainly worth a listen.
Excellent Classic and Modern Hymns | Posted August-27-2019
Shane and Shane follow Hymns Vol. 1 and Hymns Live with more classic and modern hymns done in their distinctive worshipful style. The hymns are creatively arranged in a way that they can be used for congregational singing in church worship services, as well as enjoyed for individual worship. The album starts with four classic hymns, then moves to four modern hymns, before ending with two more classic hymns.
Below are a few brief comments about each of the songs:
Be Thou My Vision (Lord You Are) – “Be Thou My Vision” is an 8th century Irish hymn that was translated by Eleanor Hull in 1912. “Lord You Are (More Precious Than Silver)” was written by Lynn DeShazo. The song features acoustic guitar, strings, backing vocals and some good drum work.
Turn Your Eyes Upon Jesus (Amazing Grace) – “Turn Your Eyes Upon Jesus” was written by Hellen Howard Lemme in 1922. “Amazing Grace” was written by John Newton. The song features acoustic guitar, keys, light drums, strings, and backing vocals.
My Jesus I Love Thee – This hymn was written by William R. Featherston in 1864. The song features keys, bass, strings, light percussion and a particularly strong lead vocal. The song ends with a snippet from the following song “Praise to the Lord Almighty”.
Praise to the Lord (Joyful, Joyful) – “Praise to the Lord Almighty” was written by Joachim Neander in 1680. “Joyful, Joyful We Adore Thee” was written by Henry J. van Dyke in 1907. The song features acoustic guitar, backing vocals, guitar, strings, and a particularly good drum beat.
Oh Lord Almighty – This song, which may be less familiar to many, was written by Jon Able and Shane Barnard. The song features acoustic guitar, drums, backing vocals, keys and strings. A highlight.
Key lyrics:
Holy
All God’s children singing Holy
Nothing left to say but Holy
Oh Lord Almighty
Power of the Cross - This song was written by Keith Getty and Stuart Townend. The song, which builds powerfully, features keys, strings, acoustic guitar, drums, and backing vocals.
Come Behold the Wondrous Mystery – This song was written by Matt Boswell, Matt Papa and Michael Bleeker. The song, which builds gently to a powerful ending, features acoustic guitar, backing vocals, synth, and some good drum work.
Living Waters (As the Deer) – “Living Waters” was written by Kristyn Getty and Ed Cash. “As the Deer” was written by Martin Nystrom. This song, which is driven by a good drum beat, features acoustic guitar, backing vocals, guitar and synth. This is a more upbeat version of “Living Waters” than was recorded by Keith and Kristyn Getty. A highlight.
All Hail the Power of Jesus’ Name – “All Hail the Power of Jesus’ Name” was written by Edward Perronet in 1779. The song features keys, some excellent percussion, backing vocals, synth, and a strong vocal. The song then goes directly into “Crown Him with Many Crowns”.
Crown Him with Many Crowns – This 1851 hymn had lyrics written by Matthew Bridges and Godfrey Thring, with the music written by George Job Elvey. The song features drums, guitar, and backing vocals. The song ends by going powerfully back into “All Hail the Power of Jesus’ Name”.
BPence's Music and Book Reviews 
