A Genre-Crossing Intergalactic Weekend Ride | Posted September-24-2025 What You Need to Know
Miami-born Cuban American Eddy Puyol (formerly Rawsrvnt) creates genre-defying music that crosses the lines of hip-hop, worship, funk, and soul. He fuses thumping bass, classic grooves, and modern beats, which move both soul and feet — bridging faith and mainstream spaces. For nearly 20 years (2006), Puyol has cultivated art that glorifies Christ and meets people where they are through stories of personal testimonies, relevant content, and soul issues.
Since changing his stage name from Rawsrvnt to his government name in 2022, Puyol has released Pronounced Poo-Yole (2022), Nothing Changed But My Stage Name (2024), and now the recently released Run tha Funk Back for a Good Time.“This project is more than music,” Puyol said. “It’s a revival of soul, rhythm, and celebration. I wanted this project to honor the classics, nod to my roots, and hit hard enough for today’s audiences. It’s faith. It’s funk. It’s a good time.”
What It Sounds Like
From the cosmic strut of “Run It Back” to the jaunty flavor of “Tha Funk,” featuring funkateer soul brother Doctor Dukes, and to the earthy euphoria of “Good Time (Radio Edit),” Puyol delivers a boundary-challenging soundtrack soaked in soul and stank. Picture this, Bootsy, Bruno, and Biggie at an imaginary dance-off; everybody wins. The time-travel experience hits maximum speed with “Sique Otra Vez,” a bilingual bass bomb crafted with DJ Reflex. “El Shaddai” ventures into sacred territory, meshing the heartbeat of the Miami bass scene with gospel grit. Equal parts Sunday service and street corner cipher vibes.
The interstellar ride closes with “Breathe Again,” a reinvention of one of Puyol’s classic hits. Once a Top 5 hit on the UK’s Cross Rhythms City Radio, praised as a pioneering hip-hop worship turntable anthem, the revamped track features rich R&B textures and a polished, pop-driven, radio-friendly vibe.
Spiritual Highlights
Puyol has never been a stranger when incorporating his strong faith roots into the lyrics that represent and define him.
On “Breathe Again,” he gives praises with the words, “O Lord My Lord/Look what You’ve done for me/You’ve given me love/And given me mercy/And filled me up with Your peace/So I take time out just to thank Ya/For everything that I got.”
With “El Shaddai”, Puyol exclaims, “My banner/My refuge/My fortress/My shelter/You alone are my God, and I love Ya/‘Cause You always give me some peace of mind/Like all the time.” With this track, an underlying sense of worship blends well with the rap rhyme scheme and altered tempo. It's a pleasant reminder that prayer takes on many different forms and appearances as it's not restricted to within church walls or at a concert scene.
Puyol is an artist of many talents. He’s able to serve auditory crowd pleasers to the people in the pews, in the streets, or in the stands of sports stadiums. He performs so at a high level of excellence with the love of Christ as the foundation. Puyol encompasses what Christian Hip-Hop (CHH) should look like in the art and in the individual.
Best Song
One of the standout tracks from the available eight total options is a blast from the past. It’s a combination of the classic Rawsrvnt era with a modernized twist provided by Puyol. “Game Changer” returns in reimagined form, featuring long-time collaborator Chuck Hemann and CHH veteran Lil Raskull. A proven crowd-pleaser, the track was licensed by ESPN’s First Take, CBS, and the NFL’s Miami Dolphins’ coaches show, with the remix engineered to shake stadium bleachers and seats from kickoff to the final fourth quarter whistle.
“Call Mr. 4th Quarter/Bottom of the 9th I’m still bringing that thunder/And be careful for my lighting/‘Cause when it shocks you/You’ll stand there surprised,” recites Puyol. I love how confidence intersects with faith when living out the gifts God bestows upon us to return glory to the Father ultimately.
Puyol’s energetic tone and approach to his art, combined with his unapologetic incorporation of faith and the Gospels, is a recipe for success. He borrowed musical themes from the 1970s funk decade and provided a modernized twist. It’s gusty and bold, as such a soundscape hasn’t been a part of the CHH space. For someone who thoroughly enjoyed the music of the '70s, the throwback is a welcome addition. The sense of nostalgia, coupled with the fun lyricism, made each track an enjoyable listen. I applaud the experimental feel of the project. Due to the party-like vibe of the included tracks, sync licensing should be a breeze in the realms of sports and entertainment. Run tha Funk Back for a Good Time is a solid listen for those who know and love the era of funk or others seeking a feel-good soundtrack for weekend adventures.
Excerpts from the official press release of the album were used to formulate the random details of this extensive review.
Faith-Driven Heroes on Earth | Posted September-19-2025 What You Need to Know
On September 19, 2025, Reflection Music Group’s (RMG) Derek Minor and Canon released their collaboration project titled, Vigilante. Described as a “six-year masterpiece representing a beacon of true artistry in a world of disposable sound, the album is substantially more than just music. Vigilante is a cinematic, raw and emotional display of realism capturing the everyday struggles people face. The project embodies human struggles, pain, and suffering transforming such into anthems of hope and resilience. The creative and eclectic soundscape embodies life experiences, culture, and emotional turmoil served as a reminder art still matters and inspiration lies beneath the rubble of daily adventures.
Vigilante features standout singles “Hero,” “Save The Hero,” and “Stand By Me.” Featured artists, while limited, include Alienz Alive’s Aklesso, RMG Amplify’s Brenno, Apollo Records’ Marty, Byron Juane, Greg James, Quinten Coblentz, and B. Stokes. The RMG duo desired the audience to focus on the lyrical content and emotion behind each track as opposed to a long list of cameos.
Both artists have been making music for over 10 years with Minor’s early beginnings in 2008 and Canon’s around 2012. Minor’s last project released was Nobody’s Perfect in 2023 and Canon dropped a collaboration effort with Poetics in 2021. Otherwise, both artists have focused on sync placement geared towards the theme of sports and entertainment.
What It Sounds Like
Minor and Canon present a sound monumental in nature – bigger than life itself. Each RMG artist display God as our hero, Savior, Defender, and Protector. The song titles selected provide a glimpse of such like “Bigger Than Me,” “Hero,” “Save the Hero,” “For My Good,” and “Believe.” The dynamic duo molded aspects of faith along the side of the entertainment and film worlds handcrafting a soundtrack for heaven’s battle cries.
Live instrumentation, dynamic soundscapes, window-rattling 808s, guitar riffs, and lyrical longform art all collide for a blockbuster. Complete with climatic and diverse plot changes traveling from anthems into full-blown, worship-driven homages paid to our Creator, emotions travel deep throughout.
“Child of God” feels like internal outpours to our Lord Most High delivered from an individual’s knees in the bedroom. “Bigger Than Me” recognizes the heavenly calling on our lives outside of selfish wants and desires. “Save the Hero” confirms the immediate need for a Savior regardless of our struggles. Although only 10 tracks in length, the project feels complete.
Spiritual/Lyrical Highlights
The resounding theme throughout the album is the need for a Savior. Minor and Canon recognize even in our most broken state of emotional mess; a rescue is required. Temporary, worldly resolves do not work long-term hence the need for a heavenly Hero.
On “Child of God,” we hear the affirming words of “we love you just the way you are, you’re enough.” Then on “Believe,” Minor states, “I’m looking past the mistakes that you’ve made and seeing the best in you.” Also, on “For My Good,” listeners hear “…maybe the bible is more than rules to follow but something to show us the way.”
Throughout the project, real-life situations and circumstances are presented focused on resonating deeply with the listener. Several trials, obstacles, and dire circumstances are presented, however, with the assurance of hope and victory.
Best Song On The Record
Each track could present a case for top honors as each represent a personal story of their own. However, “Better Than Me” featuring Brenno relates to personal experiences of my own. Knowing we cannot navigate this life alone or without divine faith activated, Minor and Canon tap into heart strings with each bar written. Also, the hook/chorus is crazy catchy and on repeat in my mind. Such serves as a constant reminder that regardless of my circumstance, something bigger than me lives within and guides my daily steps.
One aspect I admire from each discography over the years from either Minor or Canon is their authenticity. Neither allow boundaries of Pharisee-like influences to restrict their content. They create music for the people aimed at a heart-focused connection and community. It’s always been hope-soaked art drenched in the love of Christ breathed from the actions of his hands, feet and teachings. At times, we must find outlets to meet people where they are, not expecting anyone to run towards us.
Vigilante is a picturesque example of what God is capable of regardless of our circumstances, miscues or bad decisions. The project challenges listeners to step outside of comfort zones (church buildings) and meet people where the needs are the most urgent (communities and forgotten neighborhoods). The project is a blend of what Christians are called to imitate steering away from the fake, the proud, the hypocritical and the judgmental. The world is in need of not only a hero in the form of our Savior but modeled after believers who equip themselves with the tools to provide aid to the lost, the hurt, the afflicted and the wounded. Mostly not from any form of physical ailments, but scars from sanctuaries masked as court rooms.
Energetic Worship at Its Prime | Posted July-19-2025 What You Need to Know
CIELØ is a Christian electronic music (EDM) producer, songwriter, and DJ whose work fuses the spiritual depth of worship with the pulse of dance and pop music. With a sound that’s both reverent and rhythmically infectious, CIELØ creates tracks that uplift the soul while moving the body.
Emerging as a unique voice in the faith-based music scene, CIELØ draws inspiration from scripture and personal devotion, crafting songs that resonate with believers and music lovers alike. His production style blends house beats, shimmering synths, and heartfelt lyrics—resulting in a genre-defying catalog.
CIELØ’s mission is clear: to bring joy, hope, and praise to the dance floor. Whether through lyric videos, streaming platforms, or live sets, they invite listeners into a sonic sanctuary where faith meets celebration.
Heaven With My Friends is a 15-track gospel-infused dance album that blends spiritual themes with uplifting rhythms and heartfelt lyrics2. CIELØ, known for their vibrant sound and faith-driven message, delivers a project that feels both celebratory and contemplative.
What It Sounds Like
While rooted in gospel, the album incorporates elements of dance music, creating a dynamic listening experience that’s both soulful and animated. The sound is polished and immersive, with layered vocals and rhythmic beats that enhance the emotional impact of each track. The soundscape throws listeners into a pew on Sunday morning which hands raised in praises and gratitude.
Favorites include “Greater Than,” “The Blood of Jesus,” and the title track “Heaven With My Friends” honors CIELØ’s ability to balance lyrical depth with catchy melodies.
Spiritual/Lyrical Highlights
CIELØ’s album weaves spiritual themes throughout each track, offering moments of worship, reflection, and joy. Songs like “Praise The Lord” and “Hosanna” are powerful declarations of faith, encouraging listeners to celebrate God's presence through music and movement. The album embraces dance rhythms not as distraction but as celebration—lifting spirits while lifting praises. Tracks such as “The Blood of Jesus” and “Salvation Is Here” center on Christian doctrines of forgiveness and salvation, reinforcing God's promise of grace and eternal life. This album isn't just a playlist; it's a prayer set to synths, snares, and sacred vibes.
Best Song On The Record
While the entire album Heaven With My Friends by CIELØ offers a rich tapestry of faith and rhythm, “Greater Than” has emerged as a fan favorite and spiritual centerpiece. The song declares God's supremacy over fear, doubt, and adversity, with lines that resonate deeply in both personal and communal worship settings. It blends gospel vocals with a driving electronic beat, making it both danceable and devotional. Listeners often cite “Greater Than” as the track that lifts their spirits and anchors their faith during tough times. It’s the kind of song that feels like a personal anthem and a congregational celebration all at once.
CIELØ’s Heaven With My Friends is more than just an album—it’s a spiritual journey wrapped in vibrant soundscapes. Whether you're looking to reflect, rejoice, or simply vibe to something meaningful, this release offers a heartfelt soundtrack to faith and friendship. It’s a “feel-good” project which has you smiling throughout. The lyrics cement God’s goodness, faithful, and everlasting love – gentle reminders all believers could benefit from.
Different Stage Name, Same Unashamed Level of Faith | Posted July-01-2024 What You Need to Know
For nearly 20 years, Eddy Puyol (fka Rawsrvnt) has been blessing microphones and fans with his lyrical skill set, faith, and raw talent. The Floridian-based rapper has released seven total studio albums, five EPs, and a few handfuls of singles. Some of his biggest hits include “Father I Trust Ya,” “The Almighty,” and “Holiness.” Soul Deep Records has been his main record label to support all the releases since 2006. Puyol recently celebrated his first wedding anniversary this year with his second wife and is an amazing father to a total of four children.
From time-to-time, Puyol is poised with the question related to his stage name change stemming back to 2020. Nothing Changed But My Stage Name is a proclamation that Puyol remains faithful to his Christian walk, his art, and conveying the message of the Gospels to the world. The 8-track album portrays a self-portrait for Puyol. Several, "Like a Cadillac" and "Bang Bang Baby," sample his previous work. Others, such as "Everything I Got," "Good Time," and "You Gotta Vibe," all draw inspiration from various members of his family. Puyol also had a large hand in producing each track with longtime collaborator Chuck Hemann.
Essentially, the album is a “get to know” session of who Puyol is and has always been since his debut album, In Rare Form.
What It Sounds Like
The retrospective album draws from previous works over the past two decades, however, the overall sound is fresh, translucent, and provides your car speakers a thorough workout through the stomping 808s throughout.
Several samples pull from cataloged songs such as “Flossin’ Him” (2011), “Beautiful / Be With You” (2012), and “This One’s For You” (2022). The selected samples pay homage to previous works and content which ultimately influenced Puyol’s most current songs of faith. While the entire album has the sound and feel of the Rawsrvnt days, Puyol added enough of a modernized touch to mold everything into a retro throwback of cultural vibes.
As mentioned, Puyol and Chuck Hemann handled the productions duties covering the album. The dynamic Floridian duo remained authentic to the southern sound and bump infamous with the region. Memories are filtered throughout the tracks designated with varied tempos and sounds signifying such. Puyol’s trip down memory lane is filled with head nods and a certain bounce throughout the body.
Spiritual/Lyrical Highlights
Eddy Puyol’s faith is smothered throughout this project. The first track titled, “Trust God” to the last track “Blessings,” Puyol ensures the audience hears how prominent the evidence of God is within his life and family. The track “Club Five Twelve” emits faith poured out to the highest of degrees. Repeatedly, Puyol exclaims, “Jesus, I love you.”
Christian Hip-Hop (CHH) is a vessel to spread the name of Jesus throughout the urban culture. Puyol remains true to the subgenre, art, and faith itself. Questions do not exist when debating if this is a Christian album or not, which Puyol takes great pride in such a declaration.
Best Song On The Record
“Trust God,” the opening track of the album snags my pick of the favorite from the eight selections included. It’s the most unashamed track on the album and sets a standard for the rest of the album. I love the inclusion of the lower chords and notes of the piano. Reminded me of some iconic Dr. Dre production for 2 Pac and his own creations. Puyol reminds us how vital it is to proceed through life with the everlasting love and trust in God.
Aside from referring to Puyol as his birth-given name, Puyol’s art, message, music, and all else remains the same. He’s unashamed for Christ and continues to spread the love and redeeming nature of God throughout all his days. Nothing Changed But My Stage Name is exactly that. Christ-centered southern-style music with a particular swagger to it perfect for summer BBQs, sporting events, or just a cruise on a Friday night.
Stream the album on Spotify or purchase Nothing Changed But My Stage Name on Apple iTunes.
Expressive Innovation Bottled | Posted May-28-2024 What You Need to Know
4 Against 5's Jay-Way released his highly anticipated debut album with the label on Friday, February 2. The explanation of his art is best described on his website (www.jaywaythealien.com), "Globetrotting hip-hop. It's a diverse sound with European and American roots, combining rap's rhythmic delivery with the progressive hooks of pop, the laidback cool of soul music, and the optimistic outlook of gospel. Tying the package together is a multi-lingual artist who's never been afraid to break boundaries or challenge conventions." Jay-Way views himself as an outsider, an alien. Never conforming to standards or a "cookie-cutter" style but residing on an island of creativity all his own.
Innovation and progress are concepts missed widely across the CHH space. A space that’s populated to the point of a modern-day China. However, as we know, quality over quantity. Only a handful (or two) of artists are deemed cutting edge with Jay-Way at the forefront.
What It Sounds Like
Island Forgotten solidifies Jay-Way’s grandiose aesthetic. He connects real-life situations such as love, faith, and obstacles while dialing into his adventures of the heart over creative soundscapes. Such sonic values include intertwining between hip-hop, pop-punk, EDM, afro-beats, and Caribbean vibes. The content is smothered in vulnerability while carefully navigating through concepts of acceptance, self-worth, faith, love and other connected emotional highpoints.
The 18-track project leaves little desire for a skip between tracks. The favorites I’ve connected with include “Stuck In My Head,” “Coolie,” and “Shawty, Goodnight” featuring Parris Chariz. Production credits include Dayme, BoogzDaBeast, and FNZ. The project includes featured verses by Parris Chariz, Marc E. Bassy, and Moe the Natural.
Jay-Way openly displays how he’s evolved stylistically and sonically since his beginnings nearly a decade ago in 2015. 808 drum loops, synthesizers, electric guitar riffs, and an erratic lyrical delivery define the overall sound exploration. It’s refreshing, yet experimental. It’s different to the point of evoking deep thoughts. Beauty remains the theme pulling together the compiled artistic output.
Spiritual Highlights
Jay-Way is not restricted to genre boxes. He’s not stamped as a “Christian” this or that. He’s an artist which possesses a strong faith walk dealing with the obstacles of everyday life. His content is to aid believers in how to navigate relationships, love, break-ups and other related aspects of life. He’s able to promote hope and other characteristics of Jesus without repeating His Name overtly throughout tracks.
In the track “Coolie,” Jay-Way reminds listeners, “God got me.” It’s a declaration and a statement defying triumph in any difficult situation. If you’re looking for more theological-sound content, search artists such as Hulvey, Eshon Burgundy, Bizzle, and a handful of others. That’s not how Jay-Way decides to display his faith through his art. If you’re struggling while dealing with relationship problems and love doesn’t come easy, he has a few things to say related to those topics. Personally, it’s refreshing to have an artist finally discuss some of these real life situations through Christian eyes.
Best Song
At almost the middle of this album, track ten is titled, “No, I’m Not Ok.” Across the Christian space, many artists from a multitude of genres have tackled this idea. Yes, we’re followers of Christ and know God as our Provider and Healer, but this life is difficult. It’s hard to navigate through daily life. Our flesh has moments of strength while the enemy attacks vividly at times.
Therefore, quite a few instances arise when we’re not okay emotionally. It’s a blessing artists also struggle with some of these same scenarios and talk through them on record. So, the content first is why I picked this track as my top choice. The sonic values throughout it didn’t hurt either. An electric guitar along with some tempo changes were ear candy. It’s a sound rarely heard from artists, especially done from a creative mindset.
Innovation is the one-word summary for Island Forgotten. Jay-Way is a nucleus of imaginative spurts of energy and emotion. His heart is exposed. He blends multiple genres not limited to hip-hop, rock, pop, and R&B. The soundscape throughout is like a blender without a cover spilling over with creative refreshment to the ears. Truly, a skippable track doesn’t exist as the near decade wait for a debut album was well worth the anticipation.
Buy the album on iTunesor stream Island Forgottenon Spotify.
Astounding Faith Found in Rough Waters | Posted February-22-2024 What You Need to Know
Hip-hop artist Steven Malcolm’s relative, powerful messages and lyrics push toward redemption derived from his own life experiences. Raised in western Michigan and coastal Florida, Malcolm has always searched heavily for stability. His father, who immigrated from Montego Bay in Jamaica, was deported back to his homeland shortly after Malcolm’s ninth birthday. Also, his father passed away before the two could reunite.
Malcolm’s mother struggled immensely as a single mother and left his side while attending college. His young life lacked direction and foundation until he accepted a friend’s church invitation, which incorporated hip-hop, dance, and worship. Edge Urban Fellowship in Grand Rapids, Michigan, changed Malcolm’s life. His home church provided the first sense of community Malcolm had ever experienced. The church helped birth Malcolm’s passion to create music with a divine purpose. After garnering underground success, Malcolm signed with 4 Against 5, an imprint of Curb/Word Entertainment.
Malcolm has released his fourth studio album, BOATS (Based on a True Story). He shares, “BOATS will take listeners on a journey to Away, an oasis built for the chosen and run by the redeemed. Imagine a place where you become what you’ve longed to become. A place where your gifts pave the way. A place where the beauty reflects the ones who protect it. The foundation is held together by the stories of the broken. Welcome to Away.”
His 2022 album, Tree, detailed his musical legacy and the importance of family, especially fatherhood. The album was nominated for a Dove Award, marking Malcolm’s seventh nomination. Malcolm’s catalog has amassed over 70 million streams throughout his seven-year career in Cristian hip-hop. Being his most personal and introspective project yet, BOATS sets sail to shatter records in the coming months.
What It Sounds Like
Above all, Malcolm is a dynamic, spirited storyteller. His art incorporates an eclectic range of creative influence and musical styling. The music reverberates like a Sunday morning sermon smothered in Bible truths, yet with the energy of a weekend joy ride. The handful of times Malcolm and I have spoken, we joke how his phenomenal wordplay, cadence, and overall skill are widely overlooked as lyricism takes a back seat to production-led sound genius. Speaking of beats and production, producers Dayme and Scootie handcrafted an immaculate collection of sonic beauty throughout.
A few favorite tracks include “Ten On Eleven,” “Story Of A Rider,” and the latest single, “Nothing Into Something.” However, throughout the 16-track collection, Malcolm provided enough variety to please the masses, whether reggae, hip-hop, soul, or a combination of several genres. Like a boat needs to remain steady and afloat, balance is an echoing theme of the album. Malcolm has a handful of straight bangers, a collection of slow-paced “thinkers,” and another bucket incorporating harmony between the two tempos.
Thankfully, the overall soundscape is abundant in contributions. It’s not restricted to solely trap, boom-bap, or drill-based deliveries. Listeners will hear live instrumentation, melodies, and Caribbean flavor seasoned with many pounding bass.
Spiritual Highlights
Malcolm’s faith has never been excluded from his music. His personal testimony, struggles, trials, victories, and everything in between have been laid out within the content. Malcolm attributes such transparency to bridging other listeners to hope who may share the same mountains and valleys.
From the first track, “Truth Story,” Malcolm holds little back. It represents a worship song through rhymes as he details how good God has been to him and his family. In “40,” he explains how Jesus was tested for 40 days and nights and can relate to Christ's own walk. The last track, “Not Alone,” returns to the worship vibe, detailing how God is there regardless of the struggle or situation, as believers are never to feel alone. His presence is never void.
Best Song
My favorite track from BOATS may surprise a few. It’s one of the deeper cuts. “Paper Plane” gains my attention as a standout from the rest. At first, I thought it would remain a chill reggae-infused sleeper as the track starts with spicy Caribbean sauce. Malcolm rapidly transitions into "GO" mode and spits out intense verses that reflect his growth as an artist, husband, and new father, much like how the wind can alter the course of a handmade paper airplane. Like how Malcolm finds a way to fine-tune his emcee skills with every project, the song highlights what God did and continues to accomplish daily through faithfulness. The change in tempos, cadence, and overall flow is pristine. This one will remain on blast (and repeat) for months.
Growth remains a constant reminder throughout Malcolm's catalog. He pulls everything collectively to the forefront, recapping his life experiences smothered in the guidance, love, protection, and direction of our God, Lord Almighty. Hence, the acronym for the minorest project is “Based On A True Story.”
Malcolm hints at all facets of life, the good, bad, and ugly, and how God impacted each. Sonically, the album embraced near-perfect status. Content travels through transparency over the open waters through storms, sunsets, still waters, and the calmness of it all. Hopefully, listeners will finally be attuned to Malcolm’s lyrical prowess as his wordplay aligns with a few others sticking atop most. Enjoy Malcolm’s gift of an inward presentation of the Christian life and what God’s capable of if trusted in His mighty hands only.
Victorious Hope Gains A New Beginning | Posted October-26-2023 What You Need To Know:
One of Reach Records’ legacy members, Trip Lee, dropped his seventh studio album on October 27. Lee was only 19 and a recent high school graduate when his debut album, If They Only Knew, was released on July 10, 2006. This was the same year he also collaborated with Lecrae on what’s now a Christian Hip-Hop (CHH) classic known as the single “Jesus Musik.” Ever since his mid-teens, Lee has been fascinated with theological discussions and digging deep into God’s Word after becoming a Christian at the age of 14. His artistry has always been known to be gospel-soaked, abrasive, yet honest. He’s never ashamed of keeping the name of God as a constant in lyrics and describing balance between living as a Christian and being relevant in today’s culture. Lee’s an accomplished author releasing two books. Also, he’s pastored at various churches between Texas and Georgia.
As most know, Lee’s battled chronic fatigue syndrome most of his life, as the disease remains uncurable. The constant battle has robbed him of many things, but Lee presses forward as Christ helps push him forward to influence believers worldwide. For the first time in his nearly two decades of releasing music, Lee has released albums in back-to-back years with The End. delivered to fans on March 4, 2022. Prior to that, a musical drought existed where he didn’t release any projects for six years.
Contained within his latest release, Lee delves deep into the knowledge he’s acquired through decades of battling major health issues, serving as a pastor in various faith communities, and his unwavering belief in the faithfulness of God – a truth that sustains him daily. The topics in the album explored range from the human struggle for control, doubt, pressures of life, faith, and provides a transparent and genuine peek into the challenges Lee has persevered through often. Featured artists include KB, Lecrae, WHATUPRG, Hulvey, Kirk Franklin, Madison Lynn Ward and Jonathan Traylor. Lee dabbled in production with last year’s The End., but was able to showcase his own production skills heavily on this album. The Epilogue. is one of Lee’s greatest works, a masterpiece even.
What it Sounds Like:
One thing I admire about Lee’s newly found production skills is his attention to detail. Also, you can hear his love for worship and gospel music in his own art. Subtle live instrumentation such as piano keys, strings, and acoustic guitars are heard. Also, perfectly integrated samples adding to the creativity of several tracks. His last project was doused with heavy use of synthesizers and electronic attributes. It’s sparsely used this time around with more of a universal sound enjoyed by a broader audience. I love Lee still uses interludes in projects too. Being a vivid storyteller, he keeps it modern, yet keen on key hip-hop attributes. We even hear from his parents on this project injecting wisdom and advice to the masses.
Some of my favorites include “Mercy” featuring Kirk Franklin, “Undefeated,” and “Standby” featuring Hulvey. The first music video debuted with the release of the album. It’s incredible to see Lee perform with a childhood favorite, Mr. Franklin. “Undefeated” is a creative display of various deliveries from Lee alone with a mellow piano accompaniment throughout. “Standby” acts almost as a filmstrip detailing some of Lee’s difficult trials experienced throughout the years.
Lee’s music remains relevant, creative, and refreshing. He’s always possessed a unique southern voice with prominent fluctuations of the voice deemed pleasing to the ears. His skill with production is progressing above standards and Reach faithful fans will appreciate inclusion of half of his label mates on features.
Spiritual Highlights:
Along with Hulvey, Lee has always stood out from the roster at Reach Records as one of the spiritual leaders, especially considering his background as a member of several pastoral staffing throughout the years. His content has faithfully been drenched with theology, scriptural references, testimony and multiple references to God the Father. With The Epilogue., basics have not been altered. Fans are treated to sound teachings within some of Lee’s best lyrical deliveries to date.
Song titles such as “Glory,” “Mercy,” “Selah’s Song,” “At the Cross,” and “Heavens Interlude” lead more so towards worship than hip-hop. During “FTO,” Lee lifts a prayer about keeping him moving forward while everything else seems to try and pull him down. “Undefeated” is essentially a love song to God for his faithfulness time again and again. Point being, this album and all of Lee’s music pays homage to his faith. It’s inspiring, uplifting, and a reflection of who Lee represents.
Best Song:
“Undefeated” is my favorite of the 15-track collection known as The Epilogue. Something I thoroughly enjoy within soundscapes of hip-hop is the inclusion of a piano used as part of the track production. I love live instrumentation, but piano and strings are my heart’s desire. The track starts off with an acapella-like vibe. Also, the tempo of the track remains quite calm and more geared towards a soulful approach. Content-wise, a love song to our Creator and His faithfulness comes across beautifully. Knowing Jesus conquered death, hell, and the grave is reassurance necessary to face the struggles of each day. Lyrics like, “truth kept me in the fight” echo outward as Lee affirms biblical reflections throughout. It transitions seamlessly into the last track of the record (“On and On”) as the tempo drops a few notches closing everything out. It’s a beautiful track with transparency emitted from the heart towards the skies above.
Most of Lee’s fanbase prematurely thought 2022’s The End. was in fact just that, an ending of Lee’s musical career. However, the opposite reigns true. Lee stepped away from pastoring at Concord Church to focus on his music for the first time in quite some time. The result was the first time Lee has released albums in back-to-back years. Also, Lee released five singles, beginning in May, from the project ramping up the hype of Lee’s newfound devotion.
The Epilogue. is a brilliant collision of soul, worship, hip-hop and gospel music. Live instrumentation combined with synthesizers, drums, and sonic surprises. Lyrically, Lee continues to master storytelling and bridging daily life with his faith walk. As a common recipe, fans see the translucent side of Lee and what troubles his soul faces. Now that we’ve witnessed The End. and The Epilogue to Lee’s lifelong trailing story, maybe a new beginning moving forward is set to be revealed. If this is, in fact, a closure, Lee has presented the people with seven triumphant albums, a mixtape, and a handful of singles to be proud of regardless of the near future.
A Perfect Soundtrack For Imperfect People | Posted August-24-2023 What You Need To Know
Consummate hip-hop veteran and accomplished entrepreneur Derek Minor reemerges with his new project, Nobody’s Perfect. The album is an eclectic compilation of awe-inspiring production and deeply introspective wordplay. Restoring the power of the overused expression “nobody’s perfect” (often used as an excuse), the Nashville-based artist inspires listeners to embrace their imperfections almost like a badge of honor. Experiences like these strengthen our stories and our understanding of the struggles others endure.
Minor started rapping in 2006 but officially joined CHH in 2008 as PRo. He released his debut album, The Blackout, followed by his sophomore album, The Redemption, in 2010. Afterward, he began a joint venture with the label he co-founded in 2009 with artist Doc Watson and Reach Records in 2011. Then, in 2013, he switched his stage name from PRo to Derek Minor with the release of Minorville, one of the top releases in the CHH subgenre.
Derek has an impressive and extensive music library consisting of several mixtapes and EPs, including the notable PSA mixtape and Up and Away EP series. His current project is his seventh solo studio album. Derek also released a lo-fi album (Nolan and Zane’s Lofi Adventures) and three sync (placement)-based albums (Going Up, Whole Team Winning, and Highlight Tapes, Vol. 1). Coupled with his talent as a producer, Derek has dominated hip-hop culture for almost 20 years.
What it Sounds Like
Jesus is the only perfect human, but the soundscape in the ten included tracks is nearly perfect. It’s like Minor captured an entire orchestra (choir included), bottled the sound, and then released the live theater experience in the middle of a club in downtown Atlanta, Georgia. It’s an immersive explosion of strings, keys, and horns coupled with some of the nastiest 808s, high hats, and synthesized notes feasible. It's ear candy without considering lyrical content (some of Derek’s best to date).
Songs that stand out are “More on the Way,” featuring hip-hop artists 1K Phew, Jon Keith, and nobigdyl., “HALLELUYAH” and “It’s Okay” featuring Byron Juane, Susan Carol, and Greg James. A skippable track doesn’t exist on the album. Each track was handled with delicate care, addressing mental health, self-restoration, healing, and motivation. It navigates through a darkened culture with the light of Christ shining from within.
Several hype tracks exist, with a few soul-searching anthems and powerful encouragement tracks. Multiple genres are explored beyond hip-hop, such as gospel, rhythm & blues (R&B), afro-beats, and a surprise or two. One of my favorite bars is in the first minute of the first track, “Put my verses all in braille/they feel everything that I say.” Brilliant one-liners, such as this gem, are sprinkled everywhere. Nobody's Perfect explores personal stories, emotions, and the daily struggle of getting through each day. Thankfully, hope exists and renews every 24 with the everlasting love found in Christ that Minor masterfully reminds listeners through poetic verbalization.
Spiritual Highlights
The album is based on Romans 3:23. It conveys that humans fall short of God's glory and are redeemed by grace through Jesus Christ. Perfect people don't exist; ergo, nobody’s perfect. We all need to be saved by Jesus, gaining access to the grace, love, and mercy He offers as a gift of salvation. This life isn’t meant to be experienced alone. We need God to navigate, obtain purpose, and lean upon us during our trials, valleys, and shortcomings.
The first track, "HALLELUYAH," recounts Derek's life and how God has been there through every moment. The song "Vibrations" features rap artists Intl Show, Oswin Benjamin, and DJ Malski and declares that God is in control. Every day, we can celebrate the blessings and promises that God provides when we live out our faith. The song "Third Day," featuring rap band 4 Against 5's Ty Brasel, reassures us that as God's people, we rise daily with joy, knowing that we are children of God. In the same way that Jesus defeated death, hell, and the grave when He was raised from the dead, we can find true happiness in His unwavering dedication to His children.
Critics who claim that Derek Minor doesn't incorporate enough talk of faith or God in his material are mistaken. He often speaks on real-life situations as a black Christian man, devoted husband, and attentive father. Whether on or off the microphone, he frequently integrates his faith as a social media influencer, accomplished entrepreneur, artist, and believer in Christ. Eternal kudos to Minor and his devotion to his faith walk, encouraging others and presenting hope regardless of what difficult obstacle life has dealt.
Best Song
The award for best song on Nobody’s Perfect goes to one of the deep cuts, “Scars,” featuring rap artists Phillip Larue and October Woods. The track contains a perfect storm of sound, content, and execution. The production, in theory, shouldn’t work when colliding two guitars (acoustic, electric), piano keys, subtle electronic additions, a mixture of 808s and live drums, and a few other elements collected into an explosion of pleasing sound. We hear a melodic hook, and Derek displays his own harmonies, adding to the track's impact. Add in the emotional undertones of the lyrical content, and the track resonates as profoundly as a literal scar would.
One of my favorite bars was, “They try to hang me out to dry on the day I fold/God can clean dirty laundry as that’s one thing I know,” declares Derek Minor. This track alone stands out as the model vibe, emotion, and impact the overall record achieves.
Derek Minor handcrafted a personal soundtrack tooled for people from all walks of life. Like Jesus commands, he meets people where they require the most from others. During struggles or trials faced deep within the valleys far and wide. During emotional attacks stemming from anxiety, fear, or stages of depression. Also, the opposite. During triumphs, victories, and celebrations of God moments. Derek provides a relatable model of servitude Jesus desires in an edgy, brilliant artistic form. To stand next to others in their times of need. To celebrate when victories arise. Everything in between. Nobody’s Perfect is where faith meets life application and how it's handled with hope as the underlying solution.
Pain fuels purpose. Derek peels back seemingly endless layers of transparency to drive healing. One man’s struggles foster another man’s triumphs. Derek takes his imperfections, laying them out for every listener to digest and transform into tools of resolution inward. Derek has always made timeless music; the latest creation doesn’t disappoint.
Stream 'Nobody’s Perfect' on Spotify or purchase the album on iTunes.
Glory Extended From Pews To The Streets | Posted August-11-2023 What You Need To Know
Raised out of St. Petersburg, Florida, Kevin “KB” Burgees has expanded his artistic impact from the South to a global scale in the 15 years he's been in the industry. The roots began at Trinity College of Florida when a band of his brethren started the hip-hop collective known as HGA (His Glory Alone). HGA comprised young rappers, poets, missionaries, and students who all had God as their first love. KB’s involvement in HGA led to his signing with Reach Records in 2010. He fulfilled his contract in 2020 and signed with Essential Sound, a Sony Music label.
Combined, KB has released a mixtape (Who is KB?), an EP (100), and five albums (Weight & Glory, Tomorrow We Live, Today We Rebel, His Glory Alone, His Glory Alone II) since 2010. The latest is His Glory Alone II, a follow-up to his Essential Sound debut in 2020. The new album includes heavyweight features by fellow artists Lecrae, Niko Eme, Cardec Drums, Britt Nicole, Limoblaze, Brandon Lake, Scootie Wop, nobigdyl., S.O., Porsha Love, Wande, and Dayshawnx.
The first single released from the album was “Glory 2 Glory.” KB explains in a press release: “A lot of us grew up singing “Glory To Glory To Glory” by gospel great Fred Hammond. It was a cross-cultural charismatic hit. The song itself is a good record to sum up what this album is about. The first installment, ‘His Glory Alone,’ was 'Glory to God,' whereas this album is 'Glory 2 Glory.' There is always more when you are talking about God. He is infinitely inspiring, forgiving, and loving; every aspect of God is infinite and deeper. You never get to the top of the ladder; it just gets more beautiful. When we do get things in this life that are glorious like success, even those things pale in comparison to Jesus, and I would give up all of those for Jesus.”
What it Sounds Like
The second iteration of the His Glory Alone series sounds like an extension of the first release in 2020. However, it’s a deeper dive into KB’s faith, personal life, and talents. The intricate level of transparency rivals most. If fans ever desired a “backstage pass” into KB’s life, access has been granted.
“I never talked about my life like this on a record,” shares KB. “When you listen to it, I hope you hear and understand the passion of a broken but committed man. Maybe you can see yourself in this man. That’s who I am. I’m a son whose wounds are being healed as a father. I’m a husband who is serious about leading in my household. I’m an institution builder who cares about helping people.”
One of the standout aspects of this album is the tracks where KB blesses his listeners with his worship-driven ballads. These tracks are found on “Your Way” featuring Britt Nicole and “Daddy” featuring Dayshawnx. We’re accustomed to subtle hints of harmonies appearing in bits and pieces on tracks but never full-blown rhythmic, soulful masterpieces.
Favorites of mine include “Imagine That” featuring Porsha Love and Wande, “EZ,” and “The Son Who Sets Free” featuring Scootie Wop. These three songs shine above others due to their diversity in flow and structure, their energy throughout, and how the featured artists complement, not overpower KB’s contributions.
The mantra “it takes a village” reigns true in the music industry when discussing how an album comes together by its release date. This is especially true from a production standpoint. Many God-inspired and creative hands poured into this album. Names include WEARETHEGOOD, Cardec Drums, Scootie Wop, and several others. Combined, they fed the assist for KB’s excellence throughout. The selected integrated samples fit like puzzle pieces seamlessly on select tracks. Multiple beat switches on a single track, live instrumentation, synthesizer dominance, and an overgenerous helping of 808s all poured into the results of a near-perfect album.
Spiritual Highlights
KB is a man after God’s heart, just like David, Peter, Paul, Joshua, and other mighty men of the Bible. God takes the broken, the meek, and the lesser-known souls and uses them as a powerful voice for His kingdom. KB peels back multi-faceted layers of his own heart and journey, facing childhood trauma, abandonment, confusion, and doubt with unapologetic translucency.
Song titles (and the accompanying content) such as “King Jesus,” “Glory 2 Glory,” “Graves,” and “Who The Son Sets Free” cry out allegiance to our Almighty God and Savior. Also, the album's title alone signifies where KB stands in his faith walk. Without question, this album is an unashamed, unadulterated testimony to who God is and what God has done in KB’s life.
In the “Danza” track featuring Niko Eme and Cardec Drums, KB says, “Can’t sit still when the living God moves.” Throughout the project, listeners are treated to the testimony of how God has moved and continues to do so in KB’s life within the music industry and his daily journey as a devout husband and present father.
Best Song
Usually, I hunt for a deep cut as a favorite of any given album. However, I chose one of the five singles released before the album’s release date. “EZ” gained my attention as the best song of His Glory Alone II. Carvello and WEARETHEGOOD produced the individual track. The rhyme structure alone is noteworthy of some of the finest industry-wide. Coupled with the ingenious metaphors, wordplay, and delivery, few tracks this year can compete.
Let’s review some of his bars from the second verse, “Got a taste of fame, but the flavor didn’t intrigue me/I’m never gassed up, the squad an EV/I’ma tell ya vision every time I’m on your TV/Keep the P&L, the balance of my soul increasing.” Phenomenal, to say the least; lyricism in its most elite form. Factor in the energy of the track speaking through the beat switch midway and the sliding high hats atop synthesized seasoning, and “EZ” is next-level artistry at its peak.
Dove-award-winning and Billboard chart-topping KB has compiled an audio masterpiece that fits the chapel and the streets accordingly. The rapper, author, speaker, and podcaster has captured the essence of worship, handcrafting each of the 16 tracks into an exhibit worthy of the masses. KB has transformed several dated hymns into modern-day anthems. He’s bared his soul stripped down to its core so others may heal, reconcile, or move forward toward glory.
He’s been to hell and back to a certain degree, allowing others to lean upon his story while achieving restoration of self. His Glory Alone II displays what’s possible when God remains at the forefront of decisions and purpose. Fans are treated to various cultural stylings ranging from afro-beats to grime to worship and everything in between. The eclectic collection of soundscapes merges into a beautiful array of diversity. Similar to what heaven will look like in the next life. KB remains grounded as one of the Christian hip-hop (CHH) heavyweights without any objections.
Stream His Glory Alone II on Spotify or purchase the album on iTunes.
Childlike Faith Exemplified | Posted May-17-2023 What You Need To Know
Orlando native and RMG Amplify artist Roy Tosh released his latest project, Young Forever. It’s a 5-track EP rooted in a youthful spirit found in Christ Jesus as a believer. It’s Tosh’s fourth project since debuting in 2015 with Death Before Love. Two of the tracks have previously been released, “Young Forever” and “Those Hands,” featuring Quinten Coblentz.
Since 2022, Tosh has also been releasing music directed solely toward sync placements under the stage name “Txsh.” His art has been heard on massive networks such as ESPN, Hulu, Netflix, LionsGate films, CBS, and a multitude of other placements. This form of art blends elements of hip-hop and pop balance with high energy and glass-shattering 808s. “Beast” featuring Avila has amassed over 32,000 streams on Spotify alone separated from any media placements.
What it Sounds Like
Tosh has always been known for an upbeat, positive faith-affirming message and flow. His music provides smiles and enacts an instant mood change. The opening track and one of the singles released prior to EP’s drop date, “Young Forever,” encapsulates this exact feeling. The track takes fans on a trip down memory lane as a child in the 90s with references to pop culture and the overall joys childhood brings.
“Figure It Out” is highlighted with a ukulele and instantaneously provides a feeling of vacation on a tropical island. Surprising yet invited trumpet sounds infiltrate the track adding to a “happy raps” vibe. Also, we’re treated to Tosh’s vocal talents aside from spitting constant sixteens.
“Believe In Me” plucks the heartstrings, as it’s an emotional collaboration with Kaden Jordan. Two of my favorite sonic attributes enter in, too, with strokes of piano keys and an acoustic guitar. It’s an anthem for the spirit and heart uplifting believers to strive forward through the strength of God.
“Let You Go” stands alone from the overall soundscape picking up the tempo towards a dance record. It’s something one may hear in a club or at a party. A summer anthem, perhaps? The track may do well on media platforms such as TikTok and Instagram Reels.
Wrapping things up was the other pre-released single, “Those Hands,” featuring Quinten Coblentz once again. The hook provided by Coblentz has a feel of a worship track, quite inspirational. His lyrics pull feelings directly from the soul. Tosh enters with words of encouragement and praise to our Most High Lord. I’m a fanatic for tracks that tactfully infuse worship and hip-hop vibes. It’s an amazing proclamation of what God can do in times of victory and struggle.
Spiritual Highlights
The Young Forever EP is smothered in spiritual references and related to personal faith. Tosh has always made it a priority to translate his faith into his art through lyricism. Most records have a worship feel. Not only are the tracks upbeat and uplifting, but a personal testimony of Tosh’s own trials during his relationship with God.
In “Figure It Out,” Tosh explains, “if we ain’t got much, we got what we need.” Next, he admits, “I felt so lost until I found Him” in “Let You Go.” Lastly, Tosh says, “Surrender is the place I should have began” on “Those Hands.” Little, minimal snippets similar to these exist throughout. Tosh accounts God for his strength, victories, and all things in between.
Best Song on the Record
The creative and eclectic soundscape on “Figure It Out” sold me on the top song of the small 5-track EP. I love the integration of the ukulele, trumpet, standard drums, and everything wrapped together. Also, I enjoy the replay value of the track too. The audience can see it as either God and you figuring out difficult situations together or a more linear viewpoint of a spouse/relationship being the source of the collaborative assistance. It’s a stance someone like Lauren Daigle has nearly perfected, satisfying Christians and non-believers alike.
The idea of an EP packaged with 4-7 tracks is the new normal, as the idea of an album seems to be seen as an afterthought these days. Thankfully, some artists are able to capture the complexity and storytelling of a long-form album and translate it into something smaller like an EP. The Young Forever EP has a small piece for most types of listeners. Thematic summer anthems like “Let You Go.” Worship, faith-focused songs like “Those Hands.” Playful offerings like the title track. Also, emotionally-focused transparency is found in “Believe In Me.” Truly, there is something for everyone. Tosh has evolved into one of my favorite artists, as his songs are relatable, humorous at times, and downright catchy. This time around isn’t any different. This EP will continue on my weekly rotation far into the summer months.
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