VIP
by
Manic Drive Canadian pop-rock group Manic Drive (brothers Shawn and Michael Cavallo and friend Anthony Moreino) have released their fifth album, VIP. When the record begins, pulsing opening track “Electric”...
Tammy Trent has weathered more than her share of life's storms. On Sept. 10, 2001, her husband was lost in a diving accident while the two were vacationing in Jamaica. It was not until the next morning that his body was found.
After having her husband's death confirmed, Tammy soon got word about the terrorist attacks back home. She found herself suddenly widowed, her world turned upside-down. And because all flights were grounded, Tammy was temporarily stranded in Jamaica with only her father-in-law for comfort.
God is faithful through the good times and the bad. So on Sunny Days, her sixth album, Tammy Trent celebrates the promise she now wears tattooed on her wrist, Jeremiah 29:11: "For I know the plans I have for you," declares the Lord, "plans to prosper you and not to harm you, plans to give you hope and a future."
The record begins with a carefree summer soundtrack, "Sunny Days." Replete with dance beats, electronic sounds, and a brief rap break, the song finds Tammy at the beach where everything is blue skies and sunshine. She happily basks: "I'm grateful the storm is at an end / and I'll have sunny days." The song acknowledges that joy comes from God who sees us through the rough spots: "Favorite song's on the radio / and it makes me think of You / How You never let me go / always carry me through / ‘til I see sunny days."
The tempo remains upbeat with "Glow in the Dark," a reminder that hope is never lost, that we are never alone. Tammy announces, "I want you to know that you glow in the dark / He is the Life bringing light to your heart / A fire can burn, all it takes is a spark."
"We're Letting Go" is full-on dance party! Turn the music up, leave fear and worry behind, and get on the dance floor. The message: Trust that God is in control and live with abandon, celebrating the freedom He provides.
Next up, Tammy slows things down a tick by reprising "Welcome Home," a song from her 1997 album, You Have My Heart. In its updated clothes, the song not only fits nicely on this vibrant project, it's an album highlight. Tammy shines on the hopeful story of a returning prodigal. Think Point of Grace with a beat.
The next segment of the record is devoted to worship. First up, a faithful cover of Hillsong United's "You'll Come," originally sung by Brooke Fraser. Although Tammy's performance is earnest and emotive, the hookier, more spirited "Fall At Your Feet" that follows is more effective and more suited to the overall sound of the record. In fact, the track is so strong, that "Your Grace Is Enough For Me" suffers slightly by comparison. While Tammy's vocal is powerful and pretty, the song is unfortunately hindered by the distracting beat. What could have been a breathtaking worship moment is undermined by the production.
It's back the party as the CD returns to form with "I'm Running," a straight-ahead dance pop love song to the Savior. There is an unfettered musical energy that captures the essence of the lyric: "So I'm running straight to You / with all my broken pieces / The fact is I'm on empty / if Your love does not consume me."
Tammy mines musical gold on her autobiographical testimony to God's faithfulness, "Stronger Now." The chorus is as undeniably catchy as its message is comforting: "You are here / and I'm stronger now / No more fear / I've finally found ... / a safe place to fall." How terrific to hear a song about Godly empowerment! Many will be encouraged by Tammy's impassioned, resolved profession of her safety and strength in Jesus.
The album closes with the breezy "Don't Let Him Be The Last To Know." It's a fine bookend to the album opener. You can imagine that the sunny day has come to an end and our protagonist has become thoughtfully somber: "When the day succumbs to night / and when the clouds come seal the light / and when you're down and feeling low / Don't let Him be the last to know." Tammy encourages us to take our troubles directly to Jesus, "When lack of faith becomes your foe / promise He'll be the first to know." Tammy sparkles on this well-written, straightforward number.
Closing Thoughts:
Tammy Trent's recording career began in 1995, and most of her work to date could be categorized squarely in the adult contemporary genre. So listeners may be surprised to hear that her latest release, Sunny Days, is unabashedly pop, closer to Brit Nicole than Point of Grace. Having written eight of the ten tracks, the album is fiercely personal for Tammy. She has translated her experiences into hopeful, high-energy songs that confidently point to a loving God who is always able to carry us through life's storms into sunny days. Now, let's hold tightly to that promise, turn on the music, and dance our cares away!
It's hard to fathom why married duo Joey + Rory spent years working separately because together they are golden. In 2008, the couple competed on CMT's show Can You Duet, where they quickly became a favorite of judge Naomi Judd. Joey + Rory have since gone on to record four projects, and in 2010 were awarded Top New Vocal Duo by the Academy of Country Music. The pair can now be seen on the RFD network as hosts of their own program, The Joey + Rory Show.
Joey + Rory have included a faith-based song on each of their previous country market releases. And Joey, whose hometown is Alexandria, Indiana—home of Bill and Gloria Gaither—has long been a friend of the Gaithers. She and Rory have been present at Gaither Homecoming events and were recently featured on the Gaither Vocal Band's DVD special Pure and Simple, Vol. I. So it's only natural that Joey + Rory release their newest project, Inspired, a full album of songs about faith and family, in partnership with the Gaither Music Group. A live DVD will follow in the fall.
From track to track, Joey + Rory take turns on lead vocals. Joey is featured on primarily gospel classics, beginning with a gorgeous rendition of "In The Garden." On "Are You Washed In The Blood" she is backed not only by Rory's harmonies but by an energetic bluegrass accompaniment from The Isaacs. Bill Gaither guests on the lovely "Turning to the Light," written by Stephanie Davis, which boasts this simple but beautiful chorus: "I am turning to the light / I am reaching toward the sun / I have journeyed through the night / and my battle now is won / There's a new song in my heart / There's a new day dawning bright / Oh, I'm turning to the light."
Joey delivers a knockout performance on the haunting, near a capella "Amazing Grace," while daughter Heidi lends harmony support on the final verse. We get a more personal glimpse of Joey on "Gotta Go Back," which features another guest, country artist Josh Turner with whom Rory penned the song. Joey expresses a yearning to return to simpler times. The tune broadens in scope with each verse, starting with front porch memories, widening to married life, and ending with a community/world focus. When Joey is joined by Josh and Rory, the three voices create a rich blend.
On the timeless original "I See Him," Joey sings about seeing God in all the small, every day occurrences of life: "I see Him in the seeds I grow / I hear Him in the rooster's crow / I feel him when my husband's hand is in mine / I taste Him in the meals I make / I smell Him in the bread I bake." This down-home song is a homegrown affair, written by Joey, Rory, and their daughter Heidi. The piece reminds us that, when searching for God, we need to look not through our eyes but with our hearts.
The Rory leads begin with the Paul Overstreet written "Long Line of Love," a Michael Martin Murphy hit. On this ruggedly romantic song about love and family, Rory professes: "I come from a long line of love / When times get hard, I won't give up / Forever's in my heart and in my blood."
Rory's performance of "My Life Is Based On a True Story," written by Richard Leigh, is genuine and heartfelt, communicating an attitude of worship more effectively than any arena-sized worship anthem ever could. On "The Preacher and The Stranger," another rooted-in-real-life song of faith, Rory channels early Garth Brooks as he narrates a powerful tale of forgiveness. Again, the song is realistic and relatable, never self-conscious or preachy.
The bouncy "It'll Get You Where You're Goin'" may well be my favorite Rory number of the record. On his 16th birthday, the song's protagonist receives his dad's old car. Later, at 18, when he's leaving home, his dad hands over his faithful, worn Bible. About each, his father proclaims, "I know it don't look like much / It's old and a little beat up / But there's peace of mind in knowing / it'll get you where you're going."
Rory also shines on another story about faith and family, his own composition, "Hammerin' Nails." Here, dad clears land and builds a house while mom makes it a home reading Bible stories and taking them to church. Rory explains that his folks were each "hammering nails in our foundation / building our home up good and strong."
The tandem efforts ends with Rory gently counting Joey in on "Leave It There." Pretty mandolin and guitar play while the two together encourage the listener to rely on Jesus in all things: "Take your burden to the Lord / Leave it there / If you trust Him through your doubt / He will surely bring you out / Take your burden to the Lord / Leave it there."
Closing Thoughts:
Joey and Rory Feek are small town country folks. Endearingly so. For Inspired, produced by Rory and Joe West, they gathered several of their friends and recorded in a barn. The result is a simple, warm record of mostly acoustic instruments focused on faith and family. Most importantly, this uniquely heartfelt record – a mixture of gospel, country, bluegrass, and folk -- is everyday-accessible and authentic, just like Joey + Rory.
To the casual listener, it might seem that Clay Crosse has reemerged out of left field. However, while Crosse—a four-time Dove Award-winning artist with nine No. 1 songs—has been flying under the radar since his last major label studio release in 2000, he has not been inactive.
He has released several independent projects, including a live album, a Christmas record, the 2009 CD Anthems, and most recently an Americana collection of hymns, gospel standards, and other spiritual songs. In addition to recording music and writing a book, Crosse has also been busy serving as a worship pastor.
Many of the songs on Crosse's new release, reDedication, were written with producer and longtime collaborator Regie Hamm. Thematically, reDedication is a tightly focused work centered on God's sufficiency and our need to surrender our hearts to Him and live in relationship with Him.
With "Rest in You," Crosse kicks things off with a bang. This energetic track celebrates God's provision, referencing many of the biblical names of the Lord: Shepherd, Refuge, Father, Healer, Son of God, Redeemer. On the chorus, Crosse sings with confidence and conviction: "Every breath and every heartbeat / I feel Your love surround me / Even when the way's unclear / I know You'll see me through / 'Cause every moment, every minute / I rest in You." How refreshing that a song that speaks of finding rest in God is joyous rather than peaceful!
Title track "reDedication" finds a grateful Crosse reflecting on all God has done for him and renewing his commitment to relationship with the Savior: "I'm holding tightly to Your loving hand / I don't wanna let go again." The song speaks volumes on how we often forget the depth of our need, and how our heart overflows when we finally realize all He has carried us through.
"Vessel" is a shout it from the rooftop song of praise and surrender acknowledging that only God can fill our void, while recognizing that He blesses us so that we may serve as instruments of His love. This is the roll down the windows, crank it up and sing along moment of the record!
The album flows gracefully from "Vessel" to "Your River's Wide Enough." A gorgeous track with strong, cinematic visual elements, Crosse sings of God's mercy as a river "wide enough to drown the sins of every living soul / wide enough to hold the earth so no one is alone / wide enough to bring the Heavens down so we would know / You're wide enough to carry us all the way / all the way home."
"Waving a White Flag" supplies a bouncy, poppy moment. This little gem would be right at home on the radio beside Francesca Battistelli's "I'm Letting Go." Crosse sings, "I'm at the end of myself / This game of tug-of-war is through / Surrendering everything, I dedicate my life to you / I'm waving a white flag / flying it high ‘cause I'm giving up."
After surrender comes committed relationship to God. So the funky "Working on a Building" follows. Russ Taff and Melinda Doolittle each bring added soul to the track which communicates the need for continuous relational work—"brick by brick, I build it up"—while demonstrating the resultant security in building upon the Rock: "Storm clouds will come / storm clouds will go / But the one thing I know / This house will last / This house will hold."
Worship number "When I Lift My Hands" is currently gaining strength at radio. It's a moving song whose lyric reaches deeper into your heart with each listen until it becomes your own personal moment of worship: "When I lift my hands, I'm reaching for Heaven / When I lift my hands and call out Your name / I surrender everything I am and all I do / when I lift my hands, my Lord, to You."
Continuing in worship mode, Crosse takes his turn at "The Stand," written by Joel Houston of Hillsong United. It's a potent cover recounting all Jesus has done and asking how we could have any reaction other than complete submission to Christ.
On the personal "All Because of You," Crosse juxtaposes fame and worldly fortune with God's eternal blessing and reward. "Anything that's good in me," he professes, "anything that's true / It's all because of You." He promises, therefore, to return all glory to God.
The album closes with the poignant "Good Morning Lord," a humble blueprint for how to handle life: in daily prayer and thanksgiving to the Lord. Crosse admits, "I won't last a day without You here by my side / Everything inside my soul longs for you, so strong for You / And Lord, I bring / every single thing that I go through / back to You / until another day is new."
Closing Thoughts:
This project proves that quality music is found beyond the confines of Christian radio chart success. With reDedication, Clay Crosse has turned in what may be his finest work to date. And if the recent radio adds for current single "When I Lift My Hands" are any indication, hopefully it's only a matter of time before he garners a tenth No. 1.
reDedication finds Crosse in fine voice, his strong, soulful pipes delivering well-crafted songs that communicate a message of hope and comfort: God is sufficient, and His Son has done the work needed so that all may receive Grace. Faced with this truth, the only logical choice is to surrender and commit your heart to Him. Or, if you've already done so, do it again. For as the song "Good Morning Lord" shows, in order to walk in the Lord, we need to rededicate our hearts with each day, just as God renews His mercies each morning.
Pennsylvania native Aaron Shust's career began with a bang. Boosted by the success of "My Savior, My God," his debut reached No. 1 on the Christian album charts, and Shust went home from the 2007 Dove Awards toting a trio of doves: Song of the Year, Songwriter of the Year, and New Artist of the Year. He seemed to be Christian Music's new Crown Prince. However, despite his loyal following, Shust's breakout chart success has not yet been repeated. Still, he has soldiered on and continued to write thoughtful, committed worship.
Morning Rises marks Shust's fifth release, the second on his new label home, Centricity Music. As on the last record, he has tapped Ed Cash for production duties. Notably, this is the first time that Shust has recorded with his touring band rather than enlisting studio musicians. The result is a more personal, energetic sound which captures his reinvigorated spirit.
No stranger to adversity, Shust and his wife have weathered health-related storms with two of their children— second-born Nicky and their youngest, Michael. Even in the middle of these challenges, Shust has seen joy and witnessed miracles. Still, though God does not always heal, Shust's faith remains unshaken.
Indeed, Morning Rises optimistically breaks the silence with shimmering opener "God of Brilliant Lights." Shust's hopeful spirit is infectious as he declares, "The God of brilliant lights is shining down over us / Breaking through the darkness, covering all the earth."
Continuing to bear witness to an ever-strong God upon whom we can confidently place our hope, Shust faithfully covers the Hillsong hit "Cornerstone."
"Rushing Waters," the first of two songs Shust calls "throne room" songs, is the disc's first stumble. Although musically vibrant and creative, the song is not lyrically memorable. And as arresting as the outro is, the track goes on a little long.
By contrast, the raw but tight garage band sound of "God is For Us" bursts forth with undeniable energy. On this, the record's most aggressive, straight-ahead rock number, Shust's vocals are strong and impassioned as he exults, "We will not be shaken / We will not be silent / Sin is powerless / Our God is for us / We will not be broken / We won't be defeated / Death is powerless / Our God is for us."
While "Rushing Waters"falls a little flat, on the second "throne room" song, "Great is the Chorus," all the elements fall into place: a beautiful guitar intro, a melodic lyric that builds to a crescendoed refrain, and beneath it all, a steady percussive heartbeat. You'll want to take your place in the imagined Heavenly chorus as Shust affirms, "Great is the chorus of the angels of God / The glorious sound of Your name lifted high / Together we worship / Together we cry / You are worthy."
The praise continues as a grateful Shust thanks God on "No One Higher." The chorus, which feels immediately familiar, attests to God's sufficiency: "Lord we stand amazed in Your presence / Astounded by Your mercy and love / Our hands are lifted high in surrender / Your Grace for me is always enough."
Big worship songs aside, Shust's strongest moments are still the quiet ones. Stunning ballad "Deliver Me" is an honest cry for deliverance rooted in a trusting faith. This tranquil tune will bring calm and peace to listeners. What balm for a thirsty soul!
"The One" finds Shust facing an uncertain future, with his gaze unwaveringly fixed on God. Shust professes his trust, declaring he will not fear, "for the One who holds tomorrow / Holds me in His hands." Indeed, we need never fear, for God is "the One who holds it all."
Shust picks up the pace with "Mighty Fortress," which he co-penned with Paul Baloche. The guitar-driven worship tune reminds that our God is "a tower of strength, never failing," who "won't abandon...won't deceive...won't desert...won't ever leave."
Intimate number "Satifsy" throws itself into the ring to battle "Deliver Me" for the bragging rights of the album's prettiest song. Assisted by emotive production, "Satisfy" makes it a close contest as Shust professes, "When the battle weakens me / You will be my victory / You supply my every need," while petitioning the Lord to "fill us with Your rest / and fill us with your spirit / fill us with your love."
How does Shust round out a record that is full of hope and trust? By filling it to overflowing, of course, with "Firm Foundation," a rousing tune that recalls Rend Collective Experiment with its contagious energy and enthusiasm!
Closing Thoughts:
Though the record has its share of uptempo tracks and grand worship anthems, the best moments are found in thoughtful tracks like "Deliver Me" and "Satisfy." While listeners may clamor for more of these folksy songs, Aaron Shust has presented a balanced, solid set of songs of various tempos and sounds that are unified in scope and theme.
Here Shust sings songs that communicate a sufficiency and strength that can only be found in the Savior. Songs that remind us that no matter how insurmountable our problems or worries may be, God is infinitely greater. And no matter how blanketing the darkness feels, we must not despair. For in Him hope is ever-present, and daybreak certain.
Without a doubt, Morning Rises finds the singer-songwriter resting firmly on God's promise, proclaiming that "through the storm, He is Lord."
Song to Download Now:
"God of Brilliant Lights" (Get it on iTunes here.)
Emerging Voice | Posted June-25-2013 Lead singer Chad Mattson and bandmates Mike Gomez, Jon Lowry, and Ariel Munoz comprise up-and-coming Centricity outfit Unspoken. While the band is still gaining recognition, their single “Who You Are” from their major-label debut EP charted in the top ten on Billboard’s NCA Chart and at AC radio. Follow-up EP The World is Wakingwill prove that success no accident.
While on a mission trip to the Dominion Republic, Chad Mattson met group co-founder Mike Gomez. The trip was a life-saver for Mattson who, by getting his hands dirty, came away with a cleansed heart. The band’s name signifies that active work is an unspoken display of God’s love while also serving as a prompt not to leave one’s heart unvoiced.
From the opening verses of The World is Waking, it’s clear that there is an attitude of surrender to God and obedience to Him.
On the chorus to first track “Lift My Life Up,” Chad Mattson sings in declaratory fashion, “I lift my life, lift my life up / I give it all in surrender / I lift my heart, lift my heart up / You can have it forever. / All my dreams, all my plans / Lord I leave it in Your hands.” This uplifting track, Unspoken’s current radio single, is the result of a writing collaboration with producer Seth Mosley and Jason Ingram. Mattson, who displays impressive range with falsetto vocals, gives an energetic performance that demonstrates his spiritual resolve to hand control over to God.
Informed by Matthew 6, “Everything” confidently communicates the sufficiency of the Lord’s provision. No matter what life may throw our way, we need not worry, for God will provide. The chorus reminds that in Jesus, He has already provided all we need: “I have everything, everything because of what You’ve done / Neither life or death can take away the power of Your blood / And that is everything, everything, and will always be enough / If I only have Your love, I have everything.”
The lovely “In Your Hands” continues the record’s theme of surrender in a more intimate way. The album title is found in the lyrics which serve a two-fold purpose: reminding us that giving up control means spending time with God through prayer, while also comforting us with the knowledge that peace is gained through that connectedness: “The world is waking and I am here to meet You on my knees / When I’m with You, my soul finds rest / Cause I can leave it in your Hands.”
Boasting a pretty piano intro/outro and a tight melody, radio-friendly “Walking Away” seems poised to be a future single. It contains the lesson that getting everything you thought you wanted may not necessarily bring you happiness. True joy is found through spiritual rather than worldly means. Mattson again writes from the heart, drawing from his past battle with addiction. Significantly, the song celebrates not merely walking away from something – the world/darkness/trouble -- but walking into something – God.
By recording live around one mic in the studio, Unspoken captured a stirring raw energy and spirit on “Bury the Workman” that suits the subject matter – an account of the lives and sacrifices of Stephen, James, Peter, and Jesus, and -- most importantly -- Jesus’ resurrection. All of which prove that “you can bury the workman but the work will go on.” Fittingly, an EP that began with surrender ends with an anthem testifying to the unconquerable power of Jesus and those – past, present, and future – who devote their lives to continuing His work and His teachings.
Closing Thoughts:
The World is Waking, Unspoken’s sophomore EP on the Centricity label, is thematically centered on yielding control to God and living one’s life in obedience to and in relationship with Him. The personal yet relatable lyrics are delivered with a passion that ensures these songs will resonate in the listener’s heart. Unspoken has created an energetic, solid record rooted in God’s word.
“In Your Hands” and “Walking Away” are probably the strongest contenders for the next radio single, but raucous “Bury the Workman” will turn the most heads.
Yancy's recording career dates back to the 1990s. And, though you may be unfamiliar with her recorded work, chances are you know one of her compositions. Together with Jess Cates, Yancy penned the no. 1 Avalon hit "I Don't Want To Go." From 1997 to 2004, she released four indie records. Since 2006 her focus has been making music for kids.
In Yancy's original plan, Roots For The Journey was to be an album of lullabies for her son, Sparrow. She wanted to impart biblical truths to her boy while teaching scripture to kids. But along the way, things took a different direction. Yancy felt the music had larger purpose. Her hope is that these songs will help listeners not simply learn scripture, but allow it to take root in their hearts. In her own words, "The Word of God gives us the roots we need for the journey."
Working with producer Stephen Leiweke and talented musicians, Yancy has created a low-key, organic sound complete with glockenspiel, cello, and clarinet for a uniquely serene worship project. All the songs on the record were penned by Yancy, except for two: the hymn, "His Eye Is On the Sparrow," and Jon Foreman's "White as Snow." And aside from "I Don't Want to Go"—which is much more mellow in her hands that on Avalon's recording—the songs are based almost entirely on assorted scripture.
Yancy begins with "The Joy" which takes inspiration from Lamentations 3:22-23, Nehemiah 8:10, and Psalm 30:11. Lyrically, the song is spare and simple, using just a couple of repeated refrains. But it works. Yancy's voice is warm, and the music bright and joyful, though more peacefully than exuberantly so.
In "Safe," Old Testament messages from Proverbs 18:10, Isaiah 41:10, and Psalm 121 are sung through direct lyrics. This pretty piano piece is as melodically sound as the scriptural truths it contains. So don't be surprised if you find yourself taking refuge from life's storms in God's word through this song.
"Creator" employs an upright bass and percussive beat behind a simple guitar to communicate God's creation of and His plan for us as written in Psalm 139 and Jeremiah 29:11. Rare for this album, Yancy inserts her own words—not from scripture—in the final verse lending strength to the song by adding a light-hearted, personal touch: "You know each freckle / and all my silly faces / You know all my pluses / You know my fears and struggles / Still You love me the same."
Isaiah 40:31 serves as the focal point for the brief, meditative "Hope," while Psalm 121 underscores that help comes from God who watches over our every moment.
The theme of protection and provision spills over into "His Eye Is On The Sparrow." Yancy's arrangement of this classic hymn lends a freshness that, combined with her soulful vocal performance, results in one of the record's high points.
With glockenspiel and little other accompaniment, the Proverbs 3:5-6 based "Trust" is appropriately bare. It begins with such intimacy that it feels as if we are intruding on Yancy's private moment with God. For this reason, it's a little difficult to embrace Sam Tinnesz's (MIKESCHAIR) guest vocal when he joins in. Though admittedly, it's a neat touch to have a male singer give voice to God's words from Proverbs and Jesus' words from Matthew 11:28.
After its midpoint, the album sags a bit. Though "Healer" carries an important biblical message of Jesus' intercession as written in Isaiah 53:5, the melody doesn't work as successfully as in previous songs. Here, and on "Our God Reigns" which includes the Lord's Prayer, the musical treatment feels sluggish. Similarly, "Call," while heartfelt and soaked in scriptures from Romans and the gospel of John, gets lost in what begins to feel like a sleepy, monochromatic album.
Finally, with "No Other Name" and "I Don't Want To Go" Yancy returns to form. The former, with a solid melody and a simple piano accompaniment, recalls the beautiful, personal simplicity of Nichole Nordeman. And the latter, while clothed in mellower trappings than the Avalon hit, raises the tempo significantly enough to give the album a needed boost. More importantly, these songs leave us with a God-centered mindset, praising the Lord and walking with Him.
Closing Thoughts:
Although her newest project is a sonic departure from recent recordings, a passion for sharing the word of God and the hope found in Christ has long been rooted in Yancy's heart. In Roots For The Journey, she takes a brave step in creating a quiet, contemplative album, based almost wholly on scripture, to share God's word that we might better carry His truth in our hearts.
While the album might have benefited from more variety in both sound and tempo, it creates a safe haven within which the listener can be comforted and nurtured while learning of, or being reminded of, God's unfailing love.
As Yancy sings in "I Don't Want To Go," "I don't wanna go somewhere / if I know that You're not there / ‘Cause I know that me without You is a lie." It is in this posture of worship and obedience that Yancy leaves us – after gleaning all the record has to say about the hope, strength, healing, and security offered in Jesus – with no logical choice but to surrender our life to the Prince of Peace. In this, Roots For The Journey is a resounding success.
Aaron Crabb became known during his time performing with his parents and siblings in The Crabb Family. Beginning in 2009, Aaron and wife, Amanda, have shared their hearts and testimonies leading worship in San Antonio, Texas, at Cornerstone Church, home to more than 20,000 active members.
As a recording artist, Aaron does double duty. In addition to working with Amanda, he is lead vocalist for the progressive Southern Gospel quartet Canton Junction (with Matthew Hagee, Tim Duncan, and Shane McConnell).
Aaron and Amanda have twice been nominated for a Dove Award in the Inspirational Album of the Year category, first for their 2008 debut After the Rain, and again for their sophomore CD/DVD release Live at Oak Tree.
While they were attending the 2009 Dove Awards, Amanda got a phone call with frightening news: their little girl, Eva, had fallen from a second-story window. Though everything turned out okay for Eva, Aaron and Amanda learned about the power of music to bring peace when a song alone could calm Eva on that scary night. Both then and through other trials, the couple has experienced first-hand God's mercy. And that is just what they've titled their latest project: Mercy.
The duo's fourth recording, Mercy is their first on new label Difference Media. Aaron and Amanda had a hand in writing seven of the album's 11 songs, and Aaron co-produced the project with Ben Isaacs.
Mercy takes its title from the lead track and surefire hit, "If I'm Guilty." Written by Tony Wood, Don Poythress, and Gerald Crabb, the song has an easy, country-tinged groove. Aaron's vocals and Amanda's supporting vocals highlight the lyrics and their compassion-promoting message. The song sets the stage for the album's thematic focus on God's mercy.
The duo shows their soulfulness on the bluesy Sue C. Smith tune "Somethin' Bout Love." To illustrate Jesus' power to heal, the song references Biblical miracles as well as personal redemption: "It was somethin' ‘bout love / somethin' ‘bout grace / somethin' ‘bout a hope to chase your blues away / somethin' ‘bout a cross / somethin' ‘bout a grave / somethin' ‘bout a Savior and the way He saves."
While on a trip to the Holy Land, almost immediately after she placed a prayer slip on the Western Wall, Amanda was inspired to write the powerful "Take Him to the Place." The song reminds us that there is no problem too great for Jesus' mercy, no mistake too terrible for His forgiveness, while urging the listener, "Don't be afraid / Just take Him to the place."
The pair has perfect country voices on "I'm Learning," the first single to Country radio. Amanda sounds terrific when she comes in for her first solo lead of the record. With its melodic chorus, great instrumentation, superb production, and relatable message, the song is an album highlight.
Amanda's performance is touching on the tender "God Loves the Broken," which assures us that we need not approach God with fear or shame: "God loves the broken / His arms are open / There is no shame / There is no blame / Where love is spoken." I enjoy the song's analogy of God as potter, molding and changing our broken pieces, making us whole.
Wisely, Aaron and Amanda follow that emotional moment with worship. "Holy" picks up the pace and sets the stage for the funky, soulful "It's Gonna Rain," which promises an end to spiritual drought: "It's gonna fall, it's gonna flood, it's gonna pour / It's gonna rain / A cloud-bursting glory like we never have seen before / It's gonna rain."
Some of Aaron's most effective vocals and the pair's best harmonies happen on the heartfelt "Without You." You'll find yourself singing in agreement as they declare, "I don't wanna live without You / I don't wanna move without the warmth of Your love." And chances are you'll get misty-eyed when Aaron sings of Jesus, "He don't wanna live without you."
Aaron and Amanda show they can carry more than ballads and mid-tempos with the exuberant "Come On, Come On." Its only flaw is that the fun ends too soon!
Terrific team effort "Reaching Out" is one of the best duets I've heard in a while. Aaron and Amanda's voices are alternately tender and passionate, meshing with and supporting one another perfectly, to lend emotional punch to the message that Jesus' mercy can always reach us, even when we think we are undeserving.
Amanda takes the lead and turns in a jaw-dropping performance to piano and string accompaniment on gorgeous final track, "Guide Me." A hymn-like piece written by Aaron and Amanda, the song's prayer, "Holy Spirit, please guide me," is the ideal way to end a Christian record: leaning on and looking to God.
Closing Thoughts:
As Aaron and Amanda Crabb's best album to date, Mercy marks a defining moment in their career. Amanda's emergence from supporting role to co-star establishes the couple as a formidable duo. Additionally, their vocal versatility allows the pair to excel at a variety of styles. As a result, the album is consistently interesting and should have broad appeal.
With its sparkling set of musically diverse songs, Mercy showcases two talented artists while revealing the unfailing hope found in Jesus, whose arms are always ready, reaching out with loving mercy.
For Steve Hare, faith is an action verb. His philosophy--love God, love others, and help someone--is more than talk or ideology. He has worked tirelessly to make God's love a tangible reality within his church and well beyond its walls.
Hare serves as Senior Pastor and Worship Leader at Faith City Family Church in Newark, Del.--a diverse congregation of 3,000 members located just outside Philadelphia. He is also CEO and founder of the Reach Radio Network which, since 1994, has grown from a single local station to 23 outlets in 11 states and Canada. Additionally, beginning in 1995 Hare has served the greater Philadelphia area through Project Restoration, Inc. Twelve months a year, this outreach ministry buses kids and families from the inner city and at-risk urban areas to a safe environment in the suburbs where they can enjoy Sunday afternoon rallies with food, games, and live music, and participate in tutoring and mentoring programs.
Heart Like Your Own, Hare's debut with Dream Records (though not his first recording), reflects his heart for service. Working with friends and writers Chris Sligh, Beckah Shae, and Manwell Reyes (Group 1 Crew), as well as producer Seth Mosley, Hare has crafted a relevant, and danceable!, collection of songs that share God's love and hope while encouraging listeners to put their faith to work.
Lead single "A Heart Like Your Own" takes the vanguard position in a trio of songs that each speak about the need for personal surrender to God's will. Using heavy beats and autotune vocals, Hare tells God, "Break my heart / Won't You take it apart / and replace it with a heart like Your own." Fans of Newsboys and tobyMac will embrace this pop gem. Similarly themed "Back to Your Heart" is full-on dance pop bubbling over with energetic vocals and a bouncy rhythm that gets you on your feet. The melodic "Take It Over" again touches on the need to submit our lives to God. The song has a Brandon Heath vibe, and Hare's voice is genuine and passionate as he asks God to take control.
Hare maintains the high energy level with "See You Shine." Boasting strong verses and an infectious chorus, Hare's baritone rings out as he professes: "Everywhere I go / I want the world to know / I wanna see You shi-i-i-i-i-i-ine."
"Hold Nothing Back," a song about living for God, should find favor with fans of Matthew West. Keeping things fresh and interesting, the lyrics use a different connector into the chorus from each verse.
"What's a faith when its behind our walls?" asks Hare in the next track, "Reach a Heart." About helping others and actively demonstrating God's love, the tune uses a rap break to encourage listeners to action. While the message is vital, upon first listen I found the music difficult to embrace; its video game-like pips and squeaks were a tad too far outside the box for my taste. Still, the chorus is undeniably catchy, and after repeated listens the song grew on me.
Featuring a melodic bass line and sitting in the middle of the album, "You Ain't Seen Nothin' Yet" shakes things up. Sung from God's point-of-view, the track has some attitude--a swagger--as the Lord promises "the best is yet to come," and reminds us that "even when you and life don't see eye-to-eye / there's a reason why / Don't forget / you ain't seen nothin' yet."
"On the Edge" relies on a dance beat, synth chords, and airy vocals to establish its atmosphere. However, while hooky, the music is somewhat repetitive and can distract from the lyrics (which lend a positive twist to living on the edge where "fear and grace collide").
On "I Will Not Be Moved," Beckah Shae's powerful guest vocals add variety and a needed oomph to lift the album as it's beginning to sag. Shae enters the song at the first chorus, then takes the lead on the second verse. The momentum continues with the Moseley-written Phillips, Craig, & Dean hit, "Our God is Here," which extends the theme of God as unshakeable Protector and Defender.
The Chris Sligh-penned "Beyond Our Wildest Dreams" beautifully communicates the love, hope, and peace offered by God and His grace. The verses seamlessly mesh into the spirited choruses, and the result is a joyful, near-perfect Christian pop tune. A definite album highlight!
Hare channels '80s synth-pop (in the best way) on the worship track, "Your Fire Is Here." With a winning chorus and a strong vocal, you'll be inspired to worship an ever-present, all-consuming God.
"Heaven Bound" closes the disc by taking a glimpse at what Heaven has in store: "No more pain, no more tears / no more loneliness, and no more fears / Only love and perfect peace." The track is a bundle of irrepressible energy that leaves the listener with heart and eyes uplifted, awaiting our King who is coming "on clouds of glory."
Closing Thoughts:
David Crowder isn't the only ginger in the business. Steve Hare has his own brand of red-haired musical evangelism. If you are unfamiliar with Hare but enjoy listening to creative, upbeat pop like Newsboys, tobyMac, Brandon Heath, Matthew West, or Owl City, I promise you'll find something to love on this disc. Dream Records continues to showcase talent and produce relevant, cutting-edge music.
With its solid set of songs, top-notch production, and passionate performances, Hare's Heart Like Your Own is no exception. Don't miss lead single "A Heart Like Your Own", Beckah Shae's guest spot on "I Will Not Be Moved", or Chris Sligh's writing contribution, "Beyond Our Wildest Dreams." Go grab a copy, turn it up, and dance!
Martin Smith is no newcomer. You know him as the former frontman of the British group Delirious? who brought us classic worship anthems like "Majesty", "Rain Down", and "I Could Sing of Your Love Forever."
In November 2009, after 17 years of touring, Smith and Delirious? bid the world stage farewell. Instead, perhaps Smith should have said, "Be seeing you." For though Smith didn't necessarily premeditate a comeback, God is clearly not finished with him. And since gifted songwriters generally continue to find inspiration, it's not surprising that we are now welcoming him back.
Smith's journey back into music has been gradual. Starting in 2012, he independently released--one at a time-- four EPs each containing four new songs, all bearing the title God's Great Dance Floor. The EPs were subtitled Movement One through Movement Four. The songs from these EPs are now seeing wider distribution with the release of God's Great Dance Floor, Step 01, and coming in October, God's Great Dance Floor, Step 02. God's Great Dance Floor, Step 01 is comprised of the combined songs from Movements One and Two, plus two new recordings.
Press play, and "Awake My Soul" kicks straight in, with a stirring vocal, heavy beats, drum loops and other programmed sounds, and even glockenspiel for a little added brightness. Cowritten with Chris Tomlin and Rend Collective Experiment, the number--about the need for a revival of the soul--is as energetic as you'd expect, and Smith's voice is passionate as he sings, "‘Cause I'm looking for a fire / So reignite this flame / Come resurrect me Jesus / Come raise the dead again."
The energy spills over into the similarly focused "Fire Never Sleeps," which may be familiar as it was the opening track on the recently released live worship set Jesus Culture with Martin Smith: Live From New York (or you may know it from Audio Adrenaline's cover on Kings & Queens). Smith asks God to refine his heart, to "burn away the darkness / Cause love is like a furnace / Where Your fire never sleeps." Bursting with the guitar-driven U2-like sound for which Delirious? was known and loved, this song will bring you to your feet, and you'll find yourself singing along on the chorus.
Next up is "Back to the Start (God's Great Dance Floor)." (This is not the song that you've heard on Chris Tomlin's record – that will come on Smith's upcoming fall release, God's Great Dance Floor, Step 02.) A song about a prodigal's homecoming, this is the thematic centerpiece of the record. The six-minute song begins as a meditative prayer with plenty of open musical space. But just as the prodigal eventually broke into a run, the music shifts and morphs into a full-blown, uptempo, electronic dance number, complete with horn section. When Smith sings, "I come alive on God's great dance floor," you don't doubt his fervor. And if you aren't giddy enough to shake your tail feathers, you might want to check your pulse.
One of four songs cowritten with Chris Tomlin, "Waiting Here For You," performed as a duet, ushers in a quieter interlude. The track is about waiting on God in faith, with great expectation. Beautifully poignant "You Carry Me," written for a friend who lost her husband, begins with a piano playing over the sound of lapping waves. Smith's powerfully emotive and soulful vocals highlight some of the album's best lyrics while complementing the melodic piano riff. This piece is transcendent, and will transport you into Jesus' arms. "Safe In Your Arms," which takes inspiration from Psalm 23, begins as a guitar ballad but gradually builds into a slow-burning worship gem.
The first of two new additions, "Jesus of Nazareth," is an irresistible toe-tapper containing ganjo (5 string banjo), stomps, and clamps, a collectively sung chorus, and an infectious energy. This instant favorite departs from its countrified romp to end in an explosion of rock guitar.
"Soldiers" is one of the most melodic pieces I've heard, written with a desire to spur believers on toward a faith that more actively pursues justice. The refrain, "Onward Christian soldiers / We're laying down our lives / We're lifting Jesus high," will stick in your head to resurface later. Think of it as an earworm with a purpose.
Vulnerable "Catch Every Teardrop," is based on Psalm 56 and Smith's own brush with mortality when a serious car accident became a defining moment as he choose to dedicate his life to music that uplifted God's name. It's a beautiful song about redemption, healing, and God's steadfast love.
The album comes to a close with the final new number, another tune penned with Tomlin, "Shepherd Boy." Tomlin fans will have heard it as the concluding track on Tomlin's Burning Lights. Another song that began contemplatively, sparks into a grand finale, and ends with Smith's passionate declaration, "Love is a fire...love is a fire." Thank you, Martin, for helping us keep our lamps burning.
Closing Thoughts:
Delirious? fans will be pleased to hear much on this record that feels like home. Smith approaches the material with a rekindled enthusiasm that suggests he is only getting started on this new musical journey.
Now planted happily in Brighton, rather than relying on studio musicians, he looked to youthful musicians from his St. Peter's Church home (the same church attended by Matt Redman). The result is a sound that's a little edgier, a little more raw, a little more human, and one that is fueled by a contagious spirit. Listeners new and old will find refuge here, but will also come away joyful and invigorated. You'll dance, sing, shout, cry, and above all, you'll give thanks to a loving God who catches us all.
If you have followed Kim Walker-Smith since her recording debut in 2006 with the first Jesus Culture release, you already know her as worship leader for Jesus Culture and a worship pastor at Bethel Church. You're already aware that she is a talented, passionate singer and a fervent worshiper. You've heard and enjoyed her first solo record (as Kim Walker) from 2008, Here is My Song, and though you've appreciated her contributions to Jesus Culture albums, you've probably been clamoring for a follow-up.
But whether you are a long-time fan or are just discovering her, with Still Believe, Kim Walker-Smith will bless you with a moving live worship event that will leave you inspired, enriched, and restored.
Recorded at Cascade Theater in Redding, Calif., Still Believe finds Walker-Smith backed by a full band and string section. The project begins with "Alive," a rousing song that rejoices in our living King. Kim's voice immediately takes command as she sounds a clarion call: "We will make Him known / Jesus is alive / He's alive!" Energy abounds as she proclaims, "It may get loud / The grave is empty now / And it may get wild / His love is like no other." This song would be incredible performed as part of a sunrise service on Easter Sunday.
"Waste It All," written with Christa Black, Chris McClarney, and Laura Rhinehart, begins with strings and pounding drums. It's a minor key track with strong, compelling verses about redemptive mercy and the grateful surrender that results. Kim passionately professes: "I'm gonna waste it all on you / I'm gonna pour my heart's perfume / I don't care if I'm called a fool / I'm wasting it all on you."
The mood has been established, the stage set. Enter Jesus with "The King is Here." Another piece written with Christa Black, it begins with a melody carried by the guitar before the whole bands joins in. Giving praise to an ever-present God, the refrain rings out, "We worship and we praise / We lift Your Holy name / We rejoice for our King is here." The song is a nine-minute worship experience testifying to the transformative nature of Jesus' love: "We'll never be the same."
A second co-write with Christa Black is "Yield My Heart." Kim's soulful voice continues to captivate as she invites the Holy Spirit: "Holy Spirit Come / Holy Spirit rest in this place / Teach us how to be one with you."
Having invited the Holy Spirit in, with "Spirit Break Out" Kim implores Him to move. Beginning with violin and cello, the track gains might as rhythmic drums begin to pound. The effect is electrifying. There is an untamed, Lion King vibe that perfectly accompanies the lyric: "Can you hear it? / The sound of Heaven touching Earth... / Our Father / All of Heaven roars your name."
Can't get enough? The song overflows, spilling seamlessly into "Spirit Break Out (Spontaneous)," which in effect extends the song to 12 minutes of praise and prayer. Just want to hear the song? No problem, you can skip the extra segment.
Title track "Still Believe" is a gorgeous number, clocking in at about 10 minutes. Sonically brighter that much of the rest of the record, the track boasts strong, clear vocals that lend credibility to Kim's professed declaration, "I still believe / You're the same yesterday, today, and forever / And I still believe / Your blood is sufficient for me." There is a tangible power in her voice, but within that strength is a vulnerability allowing the lyric to connect with the hearts of her listeners. Lyrical repetition, rather than becoming monotonous, allows for reflection, prayer, and personalized worship. This track makes it abundantly clear that Kim Walker-Smith is more than a worship leader, she's an evangelist.
After the stirring "Still Believe," Kim delivers a spine-tingling rendition of the Delirious? song, "Miracle Maker." The orchestra helps establish a moodiness and heft that suit the mystery and majesty of Jesus as the singer waits for healing: "I'm waiting here for my life to change / When the waters stir, you can rearrange me / Just one touch is all I need / I've nothing much but the wounds I feel / I'm looking for the hand of the miracle man."
The disc concludes in Jesus' presence with the peace-inducing "Healing Oil," where Kim simply repeats these two lines: "I can feel your healing oil running down my brow / I wouldn't trade another lifetime for how I feel right now."
Closing Thoughts:
Still Believe firmly establishes Kim Walker-Smith as a charismatic presence who can galvanize and embolden Christ's faithful followers, while simultaneously bringing hope and healing to the lost and the hurting. Her voice has a strength that can jumpstart your heart, while retaining enough gracefulness to serve as a balm. This live worship CD takes listeners on a spiritual journey that will leave them feeling profoundly alive and deeply grateful. I encourage you to hear and feel for yourself what Jesus is doing through this gifted woman!
Dawno's Music and Book Reviews 
