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The Best Yet | Posted January-26-2015
Though the gentlemen who make up New Zealand-originated electro pop/rock outfit Rapture Ruckus have lived in the states for several years now, they are still one of Christian music's best kept secrets. Several releases and multiple singles under their belt, they are simply one of those creatively innovative bands who makes you wonder why they don't have more attention.

 

Hold that thought.

 

Though their last EP, Invader Volume 1, did a great job of highlighting their musical talent, it showed little sonic innovation, and left fans to wonder where they were going next. Especially with the promise that the heavily synth-influenced band would be turning toward more organic instruments on Invader Volume 2.

 

"Organic" it is, but most definitely not in the way you might think. Not only has Rapture Ruckus raised the bar for themselves, they've potentially set it very high for others in their genre as well.

 

Frontman Brad Dring's abrasive rap vocals attack you as "Fire to the Night" embraces the underlying rock grit this band has always been at good at toning down in favor of more bubbly pop elements. While the pop edge is still very present, you can tell right away that you're in for a new listening experience.

 

"Boomerang" doesn't take itself too seriously lyrically, but what it lacks in depth, it makes up for in sheer musical splendor. This is a full on four on the floor song, and it's near impossible not to hit repeat once the songs ends.

 

Keeping with the whimsical theme, the quirky "Mr. Roboto" sounds the most like their prior techno-heavy sounding material.

 

"Minefield" runs with their roots as a rap acts and channels the likes of old school Thousand Foot Krutch with its in-your-face lyrical assault: "It's like this whole wide world wants to see me silenced, keep me focused on its drugs, sex, scandal and violence / But the all-seeing eye sees an act of defiance, 'cause they'll never get complete compliance."

 

"Parallax" takes what Rapture Ruckus is notoriously good at— pop music— and revamps its tired sound. This song is the perfect blend of what makes this band special, and if you're not again wondering why the band doesn't have more exposure at this point, you probably never will.

 

Several remixes by producers such as David Thulin and Unikron round out this solid EP, and though they honestly feel a tad dispensable, they add a nice touch.

 

Closing Thoughts:

Formalities are unnecessary. This is by far one of the strongest EPs I've heard in ages, and the best work Rapture Ruckus has released to date— bar none. Invader Volume 2 holds flawless melodic elements, fun lyrics and sheer freshness at its finest. You'd be doing yourself a great disservice by overlooking this one.

 

Song to Download Now:

"Boomerang" (Get it on iTunes here— and watch the video too!)

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The Sweet Spot | Posted January-14-2015
20 years may not sound like a substantial chunk in the grand scheme of things, but for critically acclaimed, GRAMMY nominated male vocalist Brandon Heath, it's enough to flip life on its head completely.

 

No Turning Back, the latest studio offering from the "Give Me Your Eyes" songwriter, chronicles a milestone two decades since he gave his life to God. Each song reflects his personal journey, ranging from struggles in his newfound teenage faith to present day as a seasoned worship leader and blissful newlywed.

 

Right away, listeners are welcomed by Heath's signature lyricism. Songs like "Everything Must Go" and "Sing Brave" feel like sitting down and catching up with an old friend. While these tracks don't showcase his most original songwriting to date, they definitely present his most personal and heartfelt side.

 

"Girl Of My Dreams" falls along the same lines of the prior two songs. Recently married last summer, Heath pens the swoon-worthy tale of he and his wife's quirky courtship and marriage in what is sure to become a staple couples song:  "Falling in love is a beautiful thing, like every morning's the first day of spring / God must be smiling down over me, I'm in love with the girl of my dreams."

 

A storyteller by design, Brandon is also known for producing songs that offer quite a bit to chew on thematically.  If I could pinpoint a recurring theme throughout each song on this album, look no further than the message of selfless love-- in life both temporary and eternal.

 

"When You Look At Me" finds its core in being known entirely by God: "It's like I'm barefoot running through a golden field / Like a child, that's how You make me feel / Oh Lord, when You look at me."

 

In some sense, you can call this Brandon's most worshipful project yet. Prior albums full of genuinely tough questions led the way to this batch of eleven faith-fueled declarations. Take the sonically charged highlight "One Way To Heaven," which not only exemplifies how phenomenal Heath can sound when treated with the right amount of production, but lends an attractive gloss to a subject that could very easily feel overused or trite.

 

Closing Thoughts:

Brandon Heath is a well of creativity. Though his tried and true formula never grows tiresome, he hits his sweet spot when he pairs vibrant synth elements with his upbeat blend of acoustic pop. He's done this before of course, namely 2011's Leaving Eden, but perfects the marriage here in ways unlike before.

 

While Brandon has never been an artist to shy away from his faith, the bold No Turning Back is noticeably his most spiritually overt effort, with many moments thoughtfully acknowledging God in an intimate setting. This is a big step forward in Brandon Heath's ever-evolving career.

 

Song To Download Now:

"One Way To Heaven" (Get it on iTunes here.)

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Soft Spoken Worship | Posted December-01-2014
Worship minister Hunter Thompson, part of the intensely powerful ministry that is continually changing lives over at Bethel Church in Redding, California, is making a splash with the debut of his new EP titled Swan Song.



Going into this EP, bells and whistles are the last thing you'll find. This is as stripped down and intimate as it gets. However, with the glory-provoked opening found on "Song Of David," you'll discover that there is a soft spoken intensity on this EP that might take a few listens to fully comprehend.



"Maranantha" boasts some acoustic vibes while still keeping Christ the focus of every melody. "To Love You Rightly" almost sounds like a childlike lullaby with the inclusion of some whimsical whistles and harmonious strings: "Above all that these hands complete, let Your love always be / be the prize my heart will seek, beyond the day I die."



"Swan Song" is the darkest offering here, yet still offers such a proudly splendid hope within the midst of deeply formal lyrics: "If these words would be the last words I speak / I would know that these came from the depth of me."



Closing Thoughts:

Fans of Bethel's prophetic and personal style of worship will not want to miss this EP by Hunter Thompson. It captures all the splendor of the King, while remaining a phenomenal piece of art in its own soul-soothing right.



Song To Download Now:

"Song Of David" (Get it on iTunes here.)

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A Diversely Influenced Debut | Posted December-01-2014
Nalini Tranquim describes herself as a passionate singer, songwriter and pianist who is crazy in love with Jesus and desires to draw people closer to His heart with her dynamic style of worship music.



Raised in a Christian home in a small town in India skirting the foothills of the Himalayas, Nalini went on to complete her general studies and eventually move to the UK for school, where she further pursued her love for music. After getting married and having two children, Nalini and her family soon found themselves in Australia leading worship for their local church.



These varying global influences play a major role in her first major market project, TODAY | TOMORROW, a rich and edifying praise album filled with lyrical nuggets of biblical inspiration.



Songs like "Daddy" and "Just As I Am—You Take Me" are just two defining examples of what this album has to offer in regards to its close and reflective lyrical content, with "Just As I Am" offering a snapshot of Tranquim's skills on the keys (she's an awarded pianist in her own right).



"Buying Me Back" is the most polished song on the album, with Nalini's powerful soprano vocals stripped down quite a bit to reflect on the intensity of the lyrics: "Grappled by redemption's song, my death penalty crushed by love so strong / From servitude to liberty, from deaths domain to Your sanctuary."



The album keeps a sonically electric yet chill vibe throughout. From the chilling opening notes of "Throne Room," you'll instantly be drawn back in, almost feeling as if you're listening to a piece from an epic film score.



Closing Thoughts:

Nalini Tranquim is a talented artist with a unique sound, both theatrical and intimate— think Beckah Shae meets Broadway. Given some time and maturity (mostly in regard to her vocal style), she has the potential to become a groundbreaking songwriter.



Song To Download Now:

"Buying Me Back" (Get it on iTunes here.)



 

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Classic Christmas Cheer | Posted November-17-2014
A Christmas compilation has become a rite of passage for artists in the industry today. What used to be seen as an achievement only GRAMMY award winning vocal powerhouses dare touch has slowly evolved into a childhood dream-come-true for singers who grew up bathing in the old school sounds of winters past.



The rockers of 7eventh Time Down are the latest in a long line of Christian artists to offer their own spin on the season with their new EP, A Christmas Wish List, including one timeless cover and two all-new original tracks.



"I Heard The Bells On Christmas Day" is one of the lesser covered songs in recent memory, and the band does a fantastic job bringing it up to speed and making it something new and special once again.



As for the two new tracks, "This Christmas" and "Wish List," the latter of the two brings the most to the table creatively. Avoiding trite melodic stereotypes, it's a good taste of what the band sounds like outside of a CCM-spun formula, while still incorporating the rustic, seasonal elements flawlessly.



The lyrics on both tracks seem a bit forced at moments, but overall evoke the warm feelings a good Christmas song should. Take the following lyric from "This Christmas" as a prime example: "I wish for joy to come fill our hearts / I pray for peace and a brand new start / I wish for love and Your kingdom come / This is my wish list."



Closing Thoughts:

While 7eventh Time Down is a band that is still trying to find themselves musically, you certainly won't need to search far to find a solid collection of cheerful tunes on their first Christmas offering. Combining their signature southern grit with the joyful twinkle of seasonal merriment, this brief EP represents them well, both as musicians and songwriters. Throw the bonus of Christmas into the mix, and you have a recipe for holiday bliss.



Song To Download Now:

"I Heard The Bells On Christmas Day" (Get it on iTunes here.)

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A Resounding Success | Posted November-05-2014
Saying this could possibly start a riot, but I'm going to take the risk: "God's Not Dead" is rapidly becoming the "Jesus Freak" of this generation. Definitely not in terms of innovation, but most certainly in its impact.



While we have mastermind Daniel Bashta to thank for its conception, we'd be remiss not to give the credit to Newsboys for the song's surge to fame. Their 2012 worship album of the same name became one of the biggest albums of their 25 year career, changing the way longtime worship skeptics approached the genre. Not bad for a pop quartet who faced a massive line-up change and nearly called it quits just three years prior.



Here we are again a few short years later, ready to welcome yet another album into the Newsboys catalog. However, with Hallelujah For The Cross, the band is decidedly going down the worship path once more to present us with a collection of hymns. Is this a bit of a head-scratcher following their first venture into the EDM market last fall? Perhaps, but I think the real question to be asked here is likely is this merely a God's Not Dead copycat, or do these remakes actually stand on their own?



The key word when it comes to albums like these is originality, and not only do Newsboys pull it off, they manage to do so quite stunningly. Take songs like "His Eye Is On The Sparrow" and "It Is Well," two of the most covered hymns of our time. Both present moody electronic undertones with a forefront upbeat vibe that attacks you with a spirit of praise. The vocal arrangements we find Michael Tait singing are some of the most unique variations of these songs I've heard in some time.



"Jesus Paid It All" is a recycled song the band released for a compilation album several years back, but ends up working here quite beautifully.



"I Surrender All" and "Holy, Holy, Holy" are two of the more traditional sounding hymns on the project, and though they don't stray very far from their roots, they still lend themselves to being well-polished inclusions.



Fans will be thrilled to hear the familiar "Where You Belong/Turn Your Eyes Upon Jesus." Their take on the much beloved hymn also stands as the first Newsboys 2.0 remake of one of their classics, as it first appeared on the smash Not Ashamed album back in 1992. Musically, it's the most modern sounding Newsboys offering presented here, and the additional Steve Taylor penned lyrics still cut as much today as they did two decades ago: "I was numb until You touched me, I was deaf until He heard / I was senseless till I met the One who understands."



If we're going to talk about a standout track, let's head straight to "What A Friend We Have In Jesus" and park there for awhile. If you don't walk into this track knowing it was originally written back in 1855, you'd never suspect it. Throwing it back to a former era of the band when synth pop dominated their sound, this reconstructed melody sounds more like the Newsboys we've all been wanting to hear for years. The powerful lyrics slice through the airwaves, and with guitarist Jody Davis' background vocals spotlighted throughout the chorus, this is one not to be overlooked.



Closing Thoughts:

Full disclosure: I walked into the idea of a Newsboys hymns album without much optimism. In fact, I was almost certain I wouldn't enjoy it. Little did I realize that Hallelujah For The Cross might just be 2014's biggest surprise. Not only does the band pull off these timeless tracks remarkably well, they manage to infuse their solid signature sound into each and every crevasse.



Let's touch on that signature sound for a moment. Born Again is arguably the strongest sonically of the Tait era, and while Restart was solid for what it was, it wasn't the Newsboys fans were used to. This hymns project reintroduces the whimsical pop vibe the band spent years perfecting. I'm happy to see that quasi-quirkiness return, and with each member of the band in perfect form, these songs display the perfect blend of old and new in more ways than one.



Song To Download Now:

"What A Friend We Have In Jesus" (Get it on iTunes here.)

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Hitting Their Stride | Posted October-23-2014
If you want to talk about a band that has run the creative gauntlet, look no further than Manic Drive. Having formerly dabbled in aggressive rock tunes back in their early days as teens in Toronto, Canada, the band made a radical transition with their breakout album Blue, which shifted away from their rock roots and into more progressive pop territory.



Several years and bridge album Epic later, the band, comprised of brothers Shawn and Michael Cavallo and their lifelong friend Anthony Moreino, are now a full fledged pop act. The group channels the sounds of some of Top 40's latest and greatest, while still maintaining their signature quirky originality.



With their latest release VIP, Manic Drive firmly establishes themselves with an arsenal of ear candy, ready to disprove even the biggest pop cynic.



"Electric" sets the tone for the entire project and will leave you hooked after just one listen. A guest spot by Thousand Foot Krutch lead vocalist Trevor McNevan takes this bubbly dance track to the next level. You'll be itching to hit the repeat button on this one, with lyrics declaring "You make me come to life, it's like a lighting strike, body and soul collide / Like a shock to my heart, Your love is electric."



Trevor isn't the only big name you'll see featured here. Manwell from the newly relaunched Group 1 Crew also lends his rhythmic chops to the thick and funky title track "VIP."



While Manic Drive shines on more upbeat songs, some of which fall along the borderline of EDM style, they also know how to slow it down and convey a message in a way that's soft yet appealing. "King Of Mercy" and "Song To Sing" do this brilliantly in a way that never feels like it's deviating from the flow of the rest of the album.



"Good News" boasts a melody that would make Maroon 5 frontman Adam Levine jealous. It could easily rival the mainstream competition musically, and lyrically, the song stays true to their constant, fun-loving message of Jesus and His saving power: "All of the people gather around, they stare like I'm a street preacher out of my mind / And I'm going all out, I tend to over-commit / But with news this good, you'll want to hear it again."



Closing Thoughts:

Listeners have had two sided issues with Manic Drive. When performing in the rock circuit, they were accused of being too moody and vague, while when the pop shift took place, some instantly complained about how watered down and shallow the lyrics became. With VIP, I think they've finally hit that perfect balance of lyrics that are strong enough to get the message across (this is, dare I say, their most spiritually overt effort yet), while still remaining fun enough to keep you interested without having to think too much about it.



While their last effort Epic was a melodically stronger project, these guys are definitely on the right track when it comes to their signature sound, and with VIP they nail it better as far as production goes than ever before. With all the elements coming together to create a tight whole, I don't see it being very long before Manic Drive drifts out of their best kept secret status and becomes a CCM mainstay.



Song To Download Now:

"Electric" (Get it on iTunes here.)

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Adrenaline Fueled Holiday Cheer | Posted October-20-2014
Christmas has never been an ordinary celebration for the three piece band of (literal) brothers known as Everfound. Even before their debut album released early last summer, the holidays have always been a time for them to give back, not just to one another or their extended family but also to their fans. Throwing an annual Rock The Halls concert in their hometown of Denver, Colorado every December, the night is always a special time where those who have supported them can come out and enjoy a night of seasonal celebration together.



It was only natural that something so personal would spill over into an eventual project, and with this season's Resolution, Ruslan, Nikita and Yan take their passion for all things holiday and forge it into an innovative five song Christmas EP.



Known for their flawless blend of electronic synth elements and grinding alternative rock sounds, when the first track is an instrumental of "Carol Of The Bells," you can expect something spectacular. The selection definitely delivers. I'm admittedly a purist when it comes to this particular song, and I'll take an older, classic rendition over a modern version any day. However, they may have just changed my mind with this remake.



The title track "Resolution" falls more along the lines of a New Years anthem than a Christmas song, but in an unconventional way, it makes perfect sense. After all, this time of year is about celebrating new beginnings: "No matter what this year will bring me, I'm ready for a new beginning / Watch over me and keep me marching on."



"Silent Night" falls victim to wanting to be a little more ruckus than the title implies, but nevertheless it still remains a beautiful offering.



"O Come, O Come Emmanuel" is one of the more covered tracks in recent memory, but with their already whimsical and moody style set in place, it would seem almost shameful for them not to give the already darker song a try at their own hand. It doesn't disappoint, and a melodically bombastic chorus gives some of the ingrained dreariness a boost.



Rounding out this EP out is another original song, "I Want Christmas Back." Taking the holiday blues by the horns, this song is a plea for broken spirits to let go of the pain around them that would hold them back from celebrating the birth of Christ. You don't hear many songs like this, and frankly, it's an issue we all struggle with. With lyrics honest enough to cut deep but shining bright enough to give hope, this is the track you'll want to find yourself listening to: "I'm tired of the dark memories this season harbors, so lead me back to the light this season brings."



Closing Thoughts:

With Resolution, the brothers Odnoralov have crafted a delightfully merry ensemble. Each cover track pays homage to its classic source, but balances the perfect utilization of Everfound electronics to still make it sound unique. The two original tracks are also seamless additions. While this EP feels much too short in length, it never gets boring. For those looking for a little holiday harmony with an added shot of adrenaline, you may have just found your match.



Song to Download Now:

"I Want Christmas Back" (Get it on iTunes here.)

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Building Cathedrals of Praise | Posted October-20-2014
Few new Christian groups of the last decade have had either the staying power or the success that Tenth Avenue North has maintained. The Florida-based group of five, fronted by charismatic word weaver Mike Donehey, made waves when they appeared on the scene back in 2008. It has been quite the adventure ever since then.



Between juggling the responsibilities of being traveling musicians in the spotlight and trying to maintain a normal private life, it's been a fascinating journey seeing them mature from young men wanting to voice their thoughts on life, love and Jesus, to become grown husbands and fathers, still in many ways trying to do the same thing.



An altered perspective spurred them to find true joy in trials through their last critically acclaimed album, The Struggle. With raw and authentically honest songwriting, it firmly established the band as a force to be reckoned with in the industry. With hit songs like "Losing," "Worn" and "Don't Stop The Madness," it would be hard to follow it up, yet in one of 2014's last hurrah's, Cathedrals aims to do just that.



Lead single "No Man Is An Island" highlights the group's keen ability to sing about messy things with overwhelming grace, the lyrics themselves describing it better than I ever could: "No man is an island let your guard down / You don't have to fight me, I am for you / We're not meant to live this life alone."



The first portion of the album sticks with TAN's signature moody pop melodies and never really strays away from their use of chilled instrumentation that feels quietly electronic, while still possessing an organic purity. The hauntingly dramatic "I Need You, I Love You, I Want You" does this beautifully. It almost sounds less like a song and more like a movie score.



The second half of Cathedrals is where the creativity factor kicks into high gear. Never a band known for their rock sensibilities, you'd never know it with the blazing opening moments of "Stay" and "Closer." For a second, you'd swear you were listening to a Switchfoot record (a big compliment, seeing as the bands are often compared for their similar style of introspective songwriting.)



Speaking of which, some serious word weaponry is found on the gritty "For Those Who Can't Speak," featuring guest appearances by Derek Minor and KB. A spotlight on the nightmare of human trafficking, the rap on the front end is particularly potent: "27 millions slaves but no plantation, 27 million slaves, all different races / This is not the picture the Lord painted in Genesis / Silence is our enemy, our voices can end it."



Though many great songs showcase themselves on this album, if there were ever a perfect portrait of their musical evolution, "Cathedrals" is it. A spine-chilling prelude by Audrey Assad singing the old Latin hymn "lesu, Dulcis Memoria" sweeps you away as it leads into the powerful words "And now children of the light, fight back darkness with delight / Lift your eyes to His face, let joy take temptation's place."



Closing Thoughts:

There is a running gag among Christian music fans that Tenth Avenue North falls into the "genre" of a cry band. While obviously comical, it's also accurate. Between vulnerable songwriting and a team effort of musical craftsmanship out to rival the best of their competitors, it's hard to walk away from a Tenth Avenue North record not feeling like you've just been roundhouse kicked in the tear ducts.



The one thing I noticed walking away from this album immediately is that it didn't leave me with that same sock-you-in-the-spiritual gut feeling their last few have. That's not necessarily a bad thing, and with Cathedrals, I honestly don't think that's what they set out to accomplish. This is the most overtly worshipful set of songs the band has produced in many years. Rather than focusing on the brokenness amidst the trials, this is more like the accompaniment that screams "God is greater still."



This is a worthy effort by an incredible band seeking to say honest things. For that both fans and the music community have reason to be grateful.



Song to Download Now:

"Cathedrals"

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A Welcome Addition | Posted October-16-2014
It was just 2004 when Texas born worship leader Chris Tomlin made a name for himself with his Platinum-certified album Arriving, including a relentless series of songs the global Church has permanently stapled into their weekly Sunday morning set lists, not the least of these being "How Great Is Our God."



A slew of critically acclaimed releases followed Arriving and set Chis Tomlin on the path to what has become worldwide stardom. While slapping him with superstar status is far from the Christian ideal, let's face it: when even those opposed to the Gospel know who you are and acknowledge the effects of your work, it's safe to say you might be making an impact on culture.



Achievements aside, Tomlin's greatest successes within the last decade stem not from his professional accolades but rather his personal ones. Now married with two daughters, his roots remain humble, and when he's not traveling around the world spreading the good news through music, you'll find him faithfully leading worship on Sunday mornings at Passion City Church in Atlanta, GA.



Worship always has been and always will be his heartbeat, and with his latest project Love Ran Red, he affirms this calling all the more.



It's clear right away that this album is far more dramatic in tone from previous offerings. Opening track "Greater" fuses his particular style of acoustic simplicity with the more progressive sounds of dynamic orchestration. It sets the tone for the rest of album, and does so in a well-crafted fashion.



Lead singles "Waterfall" and "Jesus Loves Me" carry the anthemic draw Tomlin's greatest songs are known for. These are two that sure to find themselves soon sinking into churches across the nation, maybe even across the world.



With a title like "The Roar," one might expect something lyrically vivid and descriptive such as Daniel Bashta's "Like A Lion" (frequently attributed as Newsboys' "God's Not Dead"), but Tomlin instead takes the same concept of God's ferocious love and channels it towards a softer approach: "When I couldn't see and my strength was failing me, I heard the roar of the Lion of Judah, I heard the voice that calms the raging sea."



While selections such as these do a good job of presenting how strong of a congregational leader he is, I feel that his greatest moments on this project come when the focus is less vertical/vertical, and more inward/upward.



"Boundary Lines," worshipfully still, possess an authenticity you don't see often in his songwriting. It's also one of the less produced tracks on the album, drawing out the raw energy all the more: "The boundary lines have fallen in welcomed places / The Lord is mine, defender and my shield."



Closing Thoughts:

With his most lengthy offering to date, Chris Tomlin delivers some of the strongest songs of his career. Granted, while there is nothing about Love Ran Red that stands out as particularly groundbreaking, the material presented is incredibly rich, and continues his ever evolving melodic experimentation. As a longtime listener, I feel as if he's getting braver and more personal in his songwriting approach. I hope this is a trend that continues with his future work. As powerful as his worship leading is, I know many listeners would love to hear more of the heart behind these modern day hymns. Love Ran Red will go down as yet another success in the Tomlin legacy, and it is a much welcomed addition.



Song To Download Now:

"Boundary Lines" (Get it on iTunes here.)

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